Russian literature -- 19th century -- History and criticism
Raskolnikov is a Nihilist in the true sense of the word, not a
political Nihilist nor an intellectual Nihilist like Tourgeniev’s
Bazarov, but a moral Nihilist; that is to say, a man who strives to act
without principle and to be unscrupulous, who desires to put himself
beyond and above human moral conventions. His idea is that if he can
trample on human conventions, he will be a sort of Napoleon. He goes
to pawn a jewel at an old woman pawnbroker’s, and the idea which is to
affect his whole future vaguely takes root in his mind, namely, that an
intelligent man, possessed of the fortune of this pawnbroker, could do
anything, and that the only necessary step is to suppress this useless
and positively harmful old woman. He thus expresses the idea later:
“I used to put myself this question: If Napoleon had found himself
in my position and had not wherewith to begin his career, and there
was neither Toulon, nor Egypt, nor the passage of the Alps, and if
there were, instead of these splendid and monumental episodes, simply
some ridiculous old woman, a usurer whom he would have to kill in
order to get her money, would he shrink from doing this if there were
no other alternative, merely because it would not be a fine deed and
because it would be sinful? Now I tell you that I was possessed by this
problem for a long time, and that I felt deeply ashamed when I at last
guessed, suddenly as it were, that not only would he not be frightened
at the idea, but that the thought that the thing was not important
and grandiose enough would not even enter into his head: he would not
even understand where the need for hesitation lay; and if there were
no other way open to him, he would kill the woman without further
reflection. Well, I ceased reflecting, and I killed her, following the
example of my authority.”
Public-domain text, read in full here on John Shaqi.
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