In this marvellous increase of knowledge regarding the transformations of the earth's surface, one of the most impressive features, to my mind, is the power now given to us of perceiving the many striking contrasts between the present and former aspects of topography and scenery. We seem to be endowed with a new sense. What is seen by the bodily eye--mountain, valley, or plain--serves but as a veil, beyond which, as we raise it, visions of long-lost lands and seas rise before us in a far-retreating vista. Pictures of the most diverse and opposite character are beheld, as it were, through each other, their lineaments subtly interwoven and even their most vivid contrasts subdued into one blended harmony. Like the poet, 'we see, but not by sight alone'; and the 'ray of fancy' which, as a sunbeam, lightened up his landscape, is for us broadened and brightened by that play of the imagination which science can so vividly excite and prolong. Admirable illustrations of this modern interpretation of scenery are supplied by the district wherein we are now assembled. On every side of us rise the most convincing proofs of the reality and potency of that ceaseless sculpture by which the elements of landscape have been carved into their present shapes. Turn where we may, our eyes rest on hills, that project above the lowland, not because they have been upheaved into these positions, but because their stubborn materials have enabled them better to withstand the degradation which has worn down the softer strata into the plains around them. Inch by inch the surface of the land has been lowered, and each hard rock successively laid bare has communicated its own characteristics of form and colour to the scenery.