in _Rob Roy_, which tells of the journey of Bailie Nicol Jarvie and
Osbaldistone into the Highlands:
'Baron of Bucklyvie
May the foul fiend drive ye,
And a' to pieces rive ye,
For building sic a toun,
Where there's neither horse meat, nor man's meat, nor a chair to
sit doun.'
I remember, too, that on that occasion I had brought with me the
detailed map of Arthur's Seat at Edinburgh, of which I had just
completed the geological survey, and I explained to him in some detail
what I had found to be the structure of the hill. Having grasped the
main succession of the rocks, he with characteristic rapidity passed
from the particulars which I had given him to the events of which they
were the record, and turning to his daughter, who was sitting near, he
exclaimed to her, 'There, Harriet, is material for such an essay as has
been prescribed to you at school.' Then in a few graphic sentences he
drew a picture of what seemed to him to have been the history of the
old volcano.
While various causes no doubt contributed in this country to the
remarkable and rapid increase in the general appreciation of the
interest of geological investigation, I feel assured that one of
the chief of them has been Hugh Miller's imaginative grasp of the
subject, and his eloquent advocacy. The personal experience of a
single individual can count for little in an estimate of this kind; but
for what it may be worth, I gladly avail myself of this opportunity
to state mine. It was Hugh Miller's _Old Red Sandstone_ that first
revealed to me the ancient history that might lie concealed in the
hills around me, and the meanings that might be hidden in the commonest
stones beneath my feet. I had been interested in such objects, as boys
are apt to be who spend much of their time in the open country. But it
was that book which set me on the path of intelligent inquiry. And this
experience must doubtless have been shared by many thousands of his
readers, who never saw his living face and who never became geologists.
Public-domain text, read in full here on John Shaqi.
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