stimulus to the slowly-growing appreciation of the beauty and grandeur
of mountain-scenery.
Nevertheless it must be admitted that Scott's highland landscapes,
though more prominent and detailed than those in his descriptions of
the lowlands and uplands, were also more laboured and less spontaneous.
His pictures are no doubt faithful and graphic, and each of them
leaves on the mind a clear impression of the scene depicted. But their
effect is produced rather by a multiplicity of touches than by a few
masterstrokes of poetic insight and graphic delineation. Moreover they
are all in one tone of colour, and lack that changeful diversity so
characteristic of mountains. They are chiefly fine-weather portraits,
as if the poet loved only summer sunshine among the hills, and had
either never seen or cared not to portray their gloom, cloud, and
storm. We are bound of course to remember that, after all, he was
only an occasional visitor to the Highlands. He had not been born
among them, and never lived long enough in their solitudes to become
intimately versed in all their alternations of mood under changes of
sky and season. He writes of them as an admiring and even enthusiastic
spectator, but not as one into whose very soul the power of the
mountains had entered. He never warms among them into that fervent glow
of affectionate appreciation which kindles within him in sight of the
landscapes of his native Border.
One other mountainous district in Britain--that of the English
Lakes--claims our attention for its influence on the progress of the
national literature. Of all the isolated tracts of higher ground in
these islands, that of the Lake District is the most eminently highland
in character. It is divisible into two entirely distinct portions
by a line drawn in a north-easterly direction from Duddon Sands to
Shap Fells. South of that line the hills are comparatively low and
featureless, though they enclose the largest of the lakes. They are
there built up of ancient sedimentary strata, like those that form so
much of the similar scenery in the uplands of Wales and the South of
Scotland. But to the north of the line, most of the rocks are of a
different nature, and have given rise to a totally distinct character
of landscape. They consist of various volcanic materials which in early
Palaeozoic time were piled up around submarine vents, and accumulated
over the sea-floor to a thickness of many thousand feet. They were
subsequently buried under the sediments that lie to the south, but, in
after ages uplifted into land, their now diversified topography has
been carved out of them by the meteoric agents of denudation. Thus pike
and fell, crag and scar, mere and dale, owe their several forms to
the varied degrees of resistance to the general waste offered by the
ancient lavas and ashes. The upheaval of the district seems to have
produced a dome-shaped elevation, culminating in a summit that lay
somewhere between Helvellyn and Grasmere.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account