British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
Lychnis made her way through its main gates into the walled collection
of courtyards and one-storied houses where the relatives of old Wang
and Yuan lived. During many days spent on the island she had made
acquaintance with numbers of them, and now they gave her an eager
welcome, overjoyed that the fair-haired and fairy-like stranger should
have accepted their invitation. But her first night, alone with two
Chinese girls in the lanterned chamber, was strange. They chattered
to her in a speech like the speech of birds; they rolled themselves
up fantastically on their queer beds; and, kind and affectionate with
her as they might be, she lay shaking by herself in the darkness,
unutterably alone.
With morning there were many things, apart from the pursuit of her
enterprise, to fill her mind. It was amusing to watch her companions
plastering their hair down with resin. Other young women came in to
assist at her toilet, some dressed, as was more usual among them,
in the ordinary costume of a Chinese girl; others, for the sake of
pleasing her, or because it was their custom, in robes copied from the
fashions of many centuries. An embarrassing interest was shown in her
affairs. They offered her a quantity of clothes to choose from, and
watched her with delighted and confusion-producing comment while she
managed the combination she effected of her own soft underclothes with
robe and trousers in heliotrope and green. They laughed over her. She
pleased them.
After breakfast, when she was introduced to some gentle elder women,
she was taken by four or five of her friends to a room with an effect,
in the clear morning heat, of pink and pale green and gold. There were
elaborate chairs, Chinese books, a chessboard in ebony and amber, a
stringed instrument (which later she learned to play), two or three
landscapes on silk, objects in ivory and jade and unknown precious
metals. An attempt was made at conversation of an explanatory kind.
The youngest of them—a demure, slender girl, who bent and twisted her
body with the grace of a willow in the wind—indicated names, such as
Golden Apricot, Blue Lotus, or Scarlet Moth. Then she put a question:
“Married?”
“Not married,” Lychnis replied.
“Those two married,” the child indicated, pointing to an elaborate,
indolent beauty, and a girl with a sad, intelligent face. “Hsiao’s
wives.”
Lychnis was shocked. They seemed so young for that hideous painter, and
it was tactless of the child to have introduced the subject. The beauty
smiled secretly, as if she had some fountain, and no mystical one, of
consolation, and the sad one wrung her hands. It was to be gathered
that the reactions of these two young widows were of the human kind,
not like those of their extraordinary relatives.
Public-domain text, read in full here on John Shaqi.
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