British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
She began to be influenced increasingly, it appears, by the silent and
deliberate guidance of his mind. He had means of conveying his thoughts
to her without speech, and this means he used more and more effectively
as their intimacy deepened. One afternoon of serene and golden beauty
they were strolling, steeped in this conversation, through a birch-wood
among the hills. They came upon three Rishi, or mountain wizards,
contemplating the smoke of incense in a green circle under the trees.
Behind the Rishi was a porcelain image, shrined among leaves, a thing
of infinite stillness. The two friends silently joined the group; Yuan
leaned against a birch trunk, chin in hand. Lychnis lay prone. But from
time to time she looked round at Yuan, for he seemed to have withdrawn
his mind from her, to have plunged himself, without thought for her, in
the contemplation of the smoke of incense. And the three Rishi were of
the most repulsive ugliness—the first huge and sensual, with a belly
that burst through filthy rags, distended ears, and the face of a demon
of wrath; the second small and thin, with the face of a froward newt;
the third deformed in the spine, crab-armed, lascivious and cruel.
They took no notice whatever of the newcomers, and sat for so long in
a tremendous immobility, like that of the brooding porcelain figure,
that the flap of a leaf overhead reverberated through the forest and
seemed to echo down long passages in the mind. Their foul and repulsive
appearance began to be more incongruous with so profound a stillness;
their ugliness was so clearly not the sign of any present passion that
they seemed to grow unreal. They might be about to vanish. She suddenly
perceived in their faces the signs of immortal, worldforgetting youth.
Then came a solitary message from Yuan, that these were men who had
left behind them the passions of the world and given themselves to the
experience of reality. “It is the presence of reality,” he said to her
mind, “that displays the unreality of the outward world.” The wrathful
one stirred faintly at the passage of thought from mind to mind; his
wrinkled eyelids perceptibly twitched.
Public-domain text, read in full here on John Shaqi.
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