British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
Lychnis lifted her head and glanced round at Ambrose. “Among all those
plants? I’m not afraid, but isn’t it rather impossible?”
“I’ll dive in and save you,” said Quentin.
“I don’t like you under water,” she replied—“a spread-out monster with
a dim, waving beard. Besides, I’ve no costume.”
“That is not a thing that matters—” began Yuan.
“Of course not,” put in Quentin, with immense approval.
The Chinese gentleman continued: “What I mean is, that we go as we are.
It is not a miracle.”
The scattered orchids stood up, mystified, and undulated in a gay chain
along the paths on the side of the cliffs. Presently Yuan halted at
a place where glassy-green steps led down into deep waters between
reed-clumps.
“A good place for pike, no doubt,” remarked Ambrose.
“You are a fisherman, then?” Yuan suddenly enveloped him, as it
were, in an all-seeing gaze, which, while extremely polite, was also
extremely inexorable.
“I fish, and meditate, and compose my thoughts.” Ambrose returned his
gaze with a polite stare which, so Lychnis told him, was beautifully
inflexible.
“Then we will fish and meditate together.”
“With the greatest pleasure.”
The two men bowed, and Yuan led the way down the glassy-green steps.
They found themselves entering a roomy, inclined tunnel of some
substance so transparent that they seemed to be entering a partition
of the water. One by one they stepped down, taking a last glance, when
their eyes came to its level, across the many-leaved surface of the
Lake. In a few minutes they were walking in the depths of a forest
of stalks where strange creatures loomed. It was very silent, very
dim, very still, under that ceiling of flat leaves, or under an open
sky of lake-water. Sometimes a flight of small, ghostly fish darted
invisibly through the stalk-forest, or suddenly wheeling their sides in
a light-beam became a thousand rainbows. Sometimes a beetle-creature
struggled up skywards through the water, swimming as if faint for
heaven. Or swans swam overhead like June clouds, or thrust their
snaky necks down between lilies. A cormorant, breaking the limit
of the water into a shiver of crystal, passed them in silent white
pursuit of a hurrying fish. And in one region of the brownish-greenish
water-universe a solemn carp, opening and shutting his mouth like a
machine, took part with myriads of his kind in a mazy, rhythmical,
interminable, involuted and apparently purposeful dance.
“Just like human beings,” observed Quentin.
“Why do they do that?” asked Lychnis. She and Ruby were walking on
either side of Yuan; Fulke was following with despairful, scowling
face. “Are they happy?”
“They obey their nature,” said Yuan. “According to the doctrine of
Hsiao, they are Sages.”
“They cannot be Sages,” she put in, “because they have never been
conscious. To be a Sage means to have abandoned human consciousness and
to have adopted the demeanour of a fish or a vegetable.”
Public-domain text, read in full here on John Shaqi.
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