British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
The face was not so much Yuan’s as the face of some perfect being,
predestined for the bliss of non-existence seen in the vision of an
artist. Not so much Yuan’s face. With the portrait in her hand she
returned to the instrument, and found after a little experimenting
that it was possible to deal with the field of view so as to fill it
with the image of a small object. She studied the image of Yuan with
the shame of Psyche studying the revealed face of the god. There had
been a change. The mild face of the boy had become severe, even fierce,
from the discipline of contemplation; in the place of innocence was
the calm, unvarying gaze of eyes that have rested on a reality that is
neither pure nor impure. She was afraid, as she had been afraid before
the mountains, and put the portrait away and swung the instrument back
into its cabinet. But first, with a swift mounting of her fear, she saw
that Yuan had left his pool, and was coming towards her with his eyes
fixed on hers.
He was coming to her. He would be there in a few minutes. He had only
been looking at the scarlet nest in the tree-tops, of course, and he
could not have descried her figure, where she was. But he would know,
and in a rush of passion she hated his insight and his domination; in
her mind she saw his face again, serene and alien. Her flesh shuddered.
Soon he stood between the scarlet posts of the doorway, yellow-brown
against a deep blue sky, attentive, impassive.
32
They were alone till the afternoon, when Sir Richard and his daughter,
both a trifle constrained, came over to the island with Fulke. The
sight of those three restored to Lychnis a sense of reality. In the
morning she had been drawn into the realms of Yuan’s vast interior
life, fascinated, hardly conscious that her identity was submerged.
Now in the afternoon, with her friends by, she could look on him as
an object, a man with whom she could enter on given relations, regard
being had to other considerations, as, for example, his race, her
father’s wishes, the pull of her home in England. She became happy,
contented that she should be in that frame of mind.
There was to be a water-party after sundown, and they spent the
afternoon making a promised inspection of some of Yuan’s laboratories
hidden in the rock. There they saw various matters in their several
stages of advancement.
“What funny old frights!” whispered Ruby, when she saw the artificers
at work. “I really believe they are the twelve men we saw looking so
idiotic on that rock.”
And certainly the twelve ancient or middle-aged gentlemen, who were
achieving machines of extreme delicacy out of an apparently vacant
stupor, did seem to be the same. For Sir Richard, when he saw the
artificers at work, the problem as to how Yuan procured his apparatus
was solved. “I wondered whether you sent plans to Europe,” he explained.
Public-domain text, read in full here on John Shaqi.
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