British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
“That is so; but my point is that in the West most of us hold that it
is the business of man to forget God, to immerse himself, while he is a
man, in his no doubt blind and temporary manhood, so that he may work
out whatever the purpose of creation was in creating him. It is the
duty of man to erect his ego into a god. He must be immensely conscious
of himself and the world, immensely unconscious of the universe. He
must be tremendously aware of man and his destiny. In Europe, in
America, we have formed the idea of Destiny and Progress.”
“And do you progress?” Wang Li suddenly spoke like a voice coming out
of the wind.
Lord Sombrewater began to search in his mind for the answer to that
question. But, except Frew-Gaff, the others did not await his reply,
and wandered off as their fancy directed. Hsiao disappeared. Quentin
attached a couple of admiring young girls and drove off Sprot, who
tried to accompany him, with lively pictures of his approaching fate.
Blackwood retired thoughtfully to a dark corner alone; Terence was
listlessly meditating on Yuan’s aura; Fulke and Ruby gloomily watched
to see what Lychnis would do. But Lychnis only sat with two Chinese
girls on the cliff-edge at the side of the torrent, and they were all
holding out crystal goblets in their orchid-hands to catch the spray
drops. They talked in their own languages and seemed well contented
with each other. Fifty feet below them the swaying moons of the barge
smote strange colours on the foam of the rapids, and the cluster of
small tethered boats streamed and leapt astern. Above them dreamed the
motionless Wang Li, with the moon on his scanty white beard.
An hour passed, and Sombrewater and Frew-Gaff were still in
conversation with Yuan. Ambrose surveyed the party, and there came
to his mind, as he watched Yuan, the description Lychnis had made to
him of eyes that were oblongs of darkness in a mask of dry gold. He
sought, too, for an adequate description of the power that lurked in
the disposed beauty of that petal-mouth of dark enamel. He traced the
effect of power to the absence of muscular compression, of visible
will. It was unconscious and placid, like the dark, fathomless Lake,
where doubtless men had been drowned. Then suitably to his thoughts
came Sprot, with terror-stricken face, scrambling up the rocks, crying
out: “Hsiao! Hsiao the drunken painter! Hsiao is drowned!” Wang Li
dreamed on.
The visitors gathered together and discussed what Sprot called
the fatality in tones of horror or dismay. Sombrewater sadly but
efficiently put questions to the witness. “I saw the body bobbing about
in the wash under the bank,” Sprot averred. “A frightful-looking thing.”
“You are quite sure it was ... our friend Hsiao?”
“Absolutely. That fearful, black, waving top-knot. It was awful—awful!”
Presently they turned towards Yuan, who was studying a glistening fern.
Public-domain text, read in full here on John Shaqi.
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