British -- China -- Fiction; English fiction -- 20th century; Fantasy fiction
She spoke to the bamboo grove. “And so clean. And everyone is so happy.
And inspiration only comes to you when you are in an untidy, poverty
stricken, romantic country where the people are superstitious and
incompetent. In your Paradise everyone must be Celtic and ridiculous.
To be poetical, to have beautiful fancies and run to press with them
is diseased. You dress up the cold substance of experience with
starry crowns and gauze wings to make it look like fairies. A country
should produce either men who can think straight or men who can live
hard—especially the first. That is what compels me in a man.”
The wild anger that flashed in his eyes died down when she suddenly
turned her face.
“There is distress in your eyes, not scorn.” His concern became
apparent in a disposition to offer her the protection of his bosom.
At that moment, indeed, if Terence wanted Ireland, Lychnis wanted
England. Hypnotized by the wheeling of the swifts over the elms, she
had seen her home, and the pull at her was agonizing. The elm-clump
beyond the sea of bamboo was an island of the familiar in a sea of
strangeness. She suffered an intolerable desire for England, for the
Georgian house, for the tennis-lawns, the stables, the cornfields. Her
nerves stormed for the satisfaction that those old habits could give,
and her more complex desire for the undefined satisfaction that she
was pursuing in the Peach-blossom Valley all but suffered shipwreck.
But she gave no hint of this to the poet. He was friendly to her,
but because he loved her she must put him far away, increasing her
isolation. They sat in stillness and silence while the blazing summer
sun sank down the afternoon sky and the swifts mounted and swerved and
flickered high up over the elms.
37
At evening, when the sky was a flaming garden in the glass of the Lake,
Ambrose and Lychnis sat side by side in a punt at a distant part of the
shore, quietly fishing. Their punt was moored by two poles. Behind them
a wall of reeds; before them the green reflection; a step beyond it the
sky mirrored in an abyss. They were fishing for pike, perch and the
like.
“Yes, it had been decided to return,” he replied to a question,
“until Sprot disappeared. It is not known whether he went back to the
_Floating Leaf_ or whether—— Do you, perhaps, know what has become of
him?”
“I haven’t a notion.” She hooked a gudgeon of suitable size through the
appropriate membrane and cast her line. “Until it is known, I suppose,
my father will stay on. I mean, he wouldn’t desert even Sprot. In any
case I do not think he will go back just yet.”
Public-domain text, read in full here on John Shaqi.
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