Roy and Reine’s master was a Cavalier, a man in the prime of life, who
had seen the loss of a good many things he valued, before the civil war
deprived him at last of his already dilapidated old court, and sent him
adrift to wander in disguise here and there, and lie in hiding till
better days came round, and the King should enjoy his own again. He
was a Master Neville of the Alders, himself a scion, and his estate a
fragment, of what had been, so far back as the Wars of the Roses, the
mighty Neville family, with their vast domains.
When peace yet prevailed in England, and the storm was only brewing in
the sky, Master Neville went to court and ruffled it with the best.
He was then a young man, and made a picturesque figure in his slashed
velvet satin doublet, his long Spanish leather boots, his falling
collar, and just such a hat and feather as is to be seen in the
picture, shading one of those swarthy oval faces which the peaked beard
of the time became, while his dark hair was suffered to grow, and was
tied by a ribbon—such as Roy and Reine are represented wearing—till
it hung in one long scented curl down his back. He was by no means
so destitute of resources as Roy and Reine were, apart from their
beauty and their winning ways. He was a bold, dashing, clever enough
young fellow, rather accomplished for his day. He could not compose a
madrigal like Lovelace, but he could sing it after it was composed. He
could fence, dance, fight, even speak when graceful fluent oratory was
all that was called for. He could bandy a jest with a court wit, and
manage a pageant with a master of the ceremonies.
In those days Master Neville married a court beauty in white satin
and pearls, with her yellow hair crisped in curls all round her pink
and white face, and brought her down to the Alders. The two did not
tarry long there with all their charms and accomplishments; the
simplicity and quiet of the country were too much for them, and they
were attracted back without fail to London, with its splendid court and
ceaseless stir, its water-parties and masks, cabals and intrigues, in
which the husband and wife played their parts in such company as that
of arrogant, magnificent Buckingham, and fair, frivolous Lucy Percy,
Countess of Carlisle.
But such company was neither safe nor economical for a mere aspiring
squire and his sympathetic madam. Many a fine oak and beech at the
Alders, and even some of its massive silver plate, paid for the master
and mistress’s addiction to town living with its extravagance.
Public-domain text, read in full here on John Shaqi.
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