Master Neville dwelt once more at the court, with Dame Hynd reinstated
as his housekeeper; but it could not be said of him, as it was recorded
of the royal Stewarts and Bourbons, that in their absence from their
kingdoms they had learned nothing and forgotten nothing. He was a more
sober-minded and gentler-hearted man for his troubles. One incident
which he never forgot was that half-hour in the wood when the ferns
were getting sere, and the leaves growing red and yellow—when Reine
danced and Roy died, and their master sat and looked on, a broken-down,
forlorn man.
[Illustration]
[Illustration]
[Illustration]
CHAPTER VI.
“DIGNITY AND IMPUDENCE.”
ONE of the most successful and popular of Sir Edward Landseer’s
delineations is the picture, “Dignity and Impudence.” It is even better
known and more widely prized than his exquisitely comical sick dog,
that is so sorry for itself, while the keeper is examining its paw; and
his deeply pathetic “Last Mourner,” in which the shepherd’s dog keeps
solitary watch by its master’s coffin.
The noble mastiff lies stately and serene, his vast bulk tempered by
his perfect proportions, and by a gait worthy of the king of dogs. His
well-opened hazel eyes look with honest straightforwardness full in
your face. His huge ears hang down quietly. His jaws are closed and
overlapped by his deep jowl. He is the _beau-ideal_ of strength in
restraint and repose, as he lies there with one paw, like that of a
lion’s cub, hanging idly over the framework of his couch, and the other
half-turned inwards, as if he were about to put it on his heart, in
token of the true gentleman he is.
From within the same pent-house, where he is freely tolerated as a
lively child companion, protrudes the small confident head—bristling
with hair, the knowing little ears erect, the tongue half-thrust out
at one side, equivalent to being stuck in the cheek—of the briskest,
most undaunted of terriers. I suppose it is because we all know many
versions—both human and canine—of this pair of friends, that we are so
fond of looking at them and admiring their union in diversity.
I can never see “Dignity and Impudence” without thinking of a couple
of dogs belonging to friends of mine, and that were said to bear a
striking and exact resemblance to the dogs in the picture. I had not
the good fortune to know this living “Dignity and Impudence,” though
I long looked forward to the pleasure; but I happened to hear a great
deal of them, and registered their traits with interest.
Public-domain text, read in full here on John Shaqi.
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