Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
Manibus vittas, Vestamque potentem,
Æternumque adytis effert penetralibus ignem,
says Virgil of the ghost of Hector, after he had warned Æneas to fly.
“He bears in his hands from the innermost shrine garlands, and mighty
Vesta and the eternal fire.” Here the eternal fire is expressly
distinguished from Vesta herself and from her statue. Spence cannot have
consulted the Roman poets with much care, since he allowed such a
passage as this to escape him.
Note 26, p. 65.
Plinius, lib. xxxvi. sect. 4. “Scopas fecit.—Vestam sedentem laudatam in
Servilianis hortis.” Lipsius must have had this passage in mind when he
wrote (de Vesta cap. 3): “Plinius Vestem sedentem effingi solitam
ostendit, a stabilitate.” But what Pliny says of a single work by Scopas
he ought not to have taken for a generally accepted characteristic. In
fact, he observes that on coins Vesta was as often represented standing
as sitting. This, however, was no correction of Pliny, but only of his
own mistaken conception.
Note 27, p. 66.
Georg. Codinus de Originib. Constant. Τὴν γῆν λέγουσιν Ἑστίαν, καὶ
πλάττουσιν αὐτὴν γυναῖκα, τύμπανον βαστάζουσαν, ἐπειδὴ τοὺς ἀνέμους ἡ γῆ
ὑφ’ ἑαυτὴν συγκλείει. Suidas, following him, or both following some
older authority, says the same thing under the word Ἑστία. “Under the
name of Vesta the Earth is represented by a woman bearing a drum, in
which she is supposed to hold the winds confined.” The reason is
somewhat puerile. It would have sounded better to say that she carried a
drum, because the ancients thought her figure bore some resemblance to
one, σχῆμα αὐτῆς τυμπανοειδὲς εἶναι. (Plutarchus de placitis Philos.
cap. 10, id. de facie in orbe Lunæ.) Perhaps, after all, Codinus was
mistaken in the figure or the name or both. Possibly he did not know
what better name to give to what he saw Vesta holding, than a drum. Or
he might have heard it called tympanum, and the only thing the word
suggested to him was the instrument known to us as a kettle-drum. But
“tympana” were also a kind of wheel.
Hinc radios trivere rotis, hinc tympana plaustris
Agricolæ.—(Virgilius Georgic. lib. ii. 444.)
Very similar to such a wheel appears to me the object borne by
Fabretti’s Vesta (ad Tabulam Iliadis, p. 334) which that scholar takes
to be a hand-mill.
Note 28, p. 70.
Lib. i. Od. 35.
Te semper anteit sæva Necessitas:
Clavos trabales et cuneos manu
Gestans ahenea; nec severus
Uncus abest liquidumque plumbum.
Public-domain text, read in full here on John Shaqi.
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