Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
Dialogo della Pittura, intitolata l’Aretino: Firenze 1735, p. 178. “Se
vogliono i Pittori senza fatica trovare un perfetto esempio di bella
Donna, legiano quelle Stanze dell’ Ariosto, nelle quali egli discrive
mirabilmente le belezze della Fata Alcina; e vedranno parimente, quanto
i buoni Poeti siano ancora essi Pittori.”
NOTE 45, p. 131.
Ibid. “Ecco, che, quanto alla proporzione, l’ingeniosissimo Ariosto
assegna la migliore, che sappiano formar le mani de’ più eccellenti
Pittori, usando questa voce industri, per dinotar la diligenza, che
conviene al buono artefice.”
NOTE 46, p. 132.
Ibid. “Qui l’Ariosto colorisce, e in questo suo colorire dimostra essere
un Titiano.”
NOTE 47, p. 132.
Ibid. “Poteva l’Ariosto nella guisa, che ha detto chioma bionda, dir
chioma d’oro: ma gli parve forse, che havrebbe havuto troppo del
Poetico. Da che si può ritrar, che ’l Pittore dee imitar l’oro, e non
metterlo (come fanno i Miniatori) nelle sue Pitture, in modo, che si
possa dire, que’ capelli non sono d’oro, ma par che risplendano, come
l’oro.” What Dolce goes on to quote from Athenæus is remarkable, but
happens to be a misquotation. I shall speak of it in another place.
NOTE 48, p. 132.
Ibid. “Il naso, che discende giù, havendo peraventura la considerazione
a quelle forme de’ nasi, che si veggono ne’ ritratti delle belle Romane
antiche.”
NOTE 49, p. 143.
Pliny says of Apelles (lib. xxxv. sect. 36): “Fecit et Dianam
sacrificantium Virginum choro mixtam; quibus vicisse Homeri versus
videtur id ipsum describentis.” “He also made a Diana surrounded by a
band of virgins performing a sacrifice; a work in which he would seem to
have surpassed the verses of Homer describing the same thing.” This
praise may be perfectly just; for beautiful nymphs surrounding a
beautiful goddess, who towers above them by the whole height of her
majestic brow, form a theme more fitting the painter than the poet. But
I am somewhat suspicious of the word “sacrificantium.” What have the
nymphs of Diana to do with offering sacrifices? Is that the occupation
assigned them by Homer? By no means. They roam with the goddess over
hills and through forest; they hunt, play, dance. (Odyss. vi. 102–106).
οἵη δ’ Ἄρτεμις εἰσὶ κατ’ οὔρεος ἰοχέαιρα
ἢ κατὰ Τηΰγετον περιμήκετον, ἢ Ἐρύμανθον
τερπομένη κάπροισι καὶ ὠκείῃς ἐλάφοισι·
τῇ δὲ θ’ ἅμα Νύμφαι, κοῦραι Διὸς αἰγιόχοιο
ἀγρονόμοι παίζουσι·...
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