Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
When Homer wishes to tell us how Agamemnon was dressed, he makes the
king put on every article of raiment in our presence: the soft tunic,
the great mantle, the beautiful sandals, and the sword. When he is thus
fully equipped he grasps his sceptre. We see the clothes while the poet
is describing the act of dressing. An inferior writer would have
described the clothes down to the minutest fringe, and of the action we
should have seen nothing.[102]
μαλακὸν δ’ ἔνδυνε χιτῶνα,
καλὸν νηγάτεον, περὶ δὲ μέγα βάλλετο φᾶρος·
ποσσὶ δ’ ὑπὸ λιπαροῖσιν ἐδήσατο καλὰ πέδιλα,
ἀμφὶ δ’ ἄρ’ ὤμοισιν βάλετο ξίφος ἀργυρόηλον.
εἵλετο δὲ σκῆπτρον πατρώϊον, ἄφθιτον αἰεί·
How does he manage when he desires to give a more full and minute
picture of the sceptre, which is here called only ancestral and
undecaying, as a similar one in another place is only χρυσέοις ἥλοισι
πεπαρμένον,—golden-studded? Does he paint for us, besides the golden
nails, the wood, and the carved head? He might have done so, had he been
writing a description for a book of heraldry, from which at some later
day an exact copy was to be made. Yet I have no doubt that many a modern
poet would have given such heraldic description in the honest belief
that he was really making a picture himself, because he was giving the
painter material for one. But what does Homer care how far he outstrips
the painter? Instead of a copy, he gives us the history of the sceptre.
First we see it in the workshop of Vulcan; then it shines in the hands
of Jupiter; now it betokens the dignity of Mercury; now it is the baton
of warlike Pelops; and again the shepherd’s staff of peace-loving
Atreus.[103]
σκῆπτρον, τὸ μὲν Ἥφαιστος κάμε τεύχων·
Ἥφαιστος μὲν δῶκε Διὶ Κρονίωνι ἄνακτι,
αὐτὰρ ἄρα Ζεὺς δῶκε διακτόρῳ Ἀργειφόντῃ·
Ἑρμείας δὲ ἄναξ δῶκεν Πέλοπι πληξίππῳ,
αὐτὰρ ὃ αὖτε Πέλοψ δῶκ’ Ἀτρέϊ, ποιμένι λαῶν·
Ἀτρεὺς δὲ θνήσκων ἔλιπεν πολύαρνι Θυέστῃ,
αὐτὰρ ὃ αὖτε Θυέστ’ Ἀγαμέμνονι λεῖπε φορῆναι,
πολλῇσιν νήσοισι καὶ Ἄργεϊ παντὶ ἀνάσσειν.
And so at last I know this sceptre better than if a painter should put
it before my eyes, or a second Vulcan give it into my hands.
Public-domain text, read in full here on John Shaqi.
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