Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.Lessing, Gotthold Ephraim
Philosophy
Laocoon : $b An essay upon the limits of painting and poetry. With remarks illustrative of various points in the history of ancient art.
Lessing, Gotthold Ephraim
Aesthetics -- Early works to 1800; Agesander. Laocoön group
It would not surprise me to find that some one of Homer’s old
commentators had admired this passage as a perfect allegory of the
origin, progress, establishment, and final inheritance of monarchical
power among men. I should smile indeed were I to read that the maker of
the sceptre, Vulcan, as fire, as that which is of supreme importance to
the maintenance of mankind, typified the removal of the necessities
which induced the early races of men to subject themselves to a single
ruler; that the first king was a son of Time (Ζεὺς Κρονίων), revered and
venerable, who desired to share his power with a wise and eloquent man,
a Mercury (Διακτόρῳ Ἀργειφόντῃ), or to resign it wholly to him; that the
wise speaker, at the time when the young state was threatened by foreign
enemies, delivered his supreme authority to the bravest warrior (Πέλοπι
πληξίππῳ); that the brave warrior, after having subdued the enemies and
secured the safety of the realm, let this power play into the hands of
his son, who, as a peace-loving ruler, a beneficent shepherd of his
people (ποιμὴν λαῶν), introduced comfort and luxury; that thus the way
was opened, after his death, for the richest of his relations (πολύαρνι
Θυέστῃ) to obtain by gifts and bribery, and finally to secure to his
family for ever, as a piece of property obtained by purchase, that
authority which had originally been conferred as a mark of confidence,
and had been regarded by merit rather as a burden than an honor. I
should smile at all this, but it would increase my respect for a poet to
whom so much could be attributed.
But this is a digression. I am now considering the history of the
sceptre as a device for making us linger over a single object, without
entering into a tiresome description of its various parts. Again, when
Achilles swears by his sceptre to be revenged on Agamemnon for his
contemptuous treatment, Homer gives us the history of this sceptre. We
see it still green upon the mountains, the axe severs it from the parent
trunk, strips it of leaves and bark, and makes it ready to serve the
judges of the people, as the token of their godlike office.[104]
ναὶ μὰ τόδε σκῆπτρον, τὸ μὲν οὔ ποτε φύλλα καὶ ὄζους
φύσει, ἐπειδὴ πρῶτα τομὴν ἐν ὄρεσσι λέλοιπεν,
οὐδ’ ἀναθηλήσει· περὶ γάρ ῥά ἑ χαλκὸς ἔλεψεν
φύλλά τε καὶ φλοιόν· νῦν αὐτέ μιν υἷες Ἀχαιῶν
ἐν παλάμῃς φορέουσι δικασπόλοι, οἵτε θέμιστας
πρὸς Διὸς εἰρύαται.
Public-domain text, read in full here on John Shaqi.
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