There was no reply. The fire in the cooking-stove in the room crackled
at spasmodic intervals. One lid was misplaced, and the girl could now
see that this fact created a little flushed crescent upon the ceiling.
Also, a series of tiny windows in the stove caused patches of red upon
the floor. Otherwise, the room was heavily draped with shadows.
The girl called again, "Daddie!"
Yet there was no reply.
"Oh, Daddie!"
Presently she laughed as one familiar with the humours of an old man.
"Oh, I guess yer cussin' mad about yer supper, dad," she said, and she
almost entered the room, but suddenly faltered, overcome by a feminine
instinct to fly from this black interior, peopled with imagined dangers.
Again she called, "Daddie!" Her voice had an accent of appeal. It was as
if she knew she was foolish but yet felt obliged to insist upon being
reassured. "Oh, daddie!"
Of a sudden a cry of relief, a feminine announcement that the stars
still hung, burst from her. For, according to some mystic process, the
smouldering coals of the fire went aflame with sudden, fierce
brilliance, splashing parts of the walls, the floor, the crude
furniture, with a hue of blood-red. And in the light of this dramatic
outburst of light, the girl saw her father seated at a table with his
back turned toward her.
She entered the room, then, with an aggrieved air, her logic evidently
concluding that somebody was to blame for her nervous fright. "Oh, yer
on'y sulkin' 'bout yer supper. I thought mebbe ye'd gone somewheres."
Her father made no reply. She went over to a shelf in the corner, and,
taking a little lamp, she lit it and put it where it would give her
light as she took off her hat and jacket in front of the tiny mirror.
Presently, she began to bustle among the cooking utensils that were
crowded into the sink, and as she worked she rattled talk at her father,
apparently disdaining his mood.
Public-domain text, read in full here on John Shaqi.
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