Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
the applause absolutely shook the theatre. “Nothing was heard but cries
of ‘Sainval! Sainval! _les deux_ Sainval!’ The presence of the guard had
no effect; the pit that night would have opposed a regiment.”
Alarmed by these demonstrations, the Gentlemen of the Chamber decided to
mitigate the punishment inflicted upon the elder Sainval, who was,
accordingly, granted permission to leave Clermont and to play in the
provinces. Everywhere she was received with frantic enthusiasm. At
Bordeaux, at the conclusion of the play, two cupids descended from a
cloud to crown her with laurels, and the audience pelted her with
flowers until the stage resembled a flower-garden.
By far the wisest course would have been to reinstate Mlle. Sainval at
the Comédie-Française and thus deprive the turbulent patrons of that
institution of any further excuse for demonstrations in her favour and
against her rival. But, since the Gentlemen of the Chamber were of
opinion that this would be too great a concession to popular clamour, it
was decided to endeavour to direct public attention from Mlle. Sainval
and her wrongs by recalling Mlle. Raucourt.
Madame Vestris herself seems to have been the first to suggest this
step. She was, of course, well aware that if, by any chance, Mlle.
Raucourt were to recover the place she had once held in the affections
of the public, she herself would be completely overshadowed. But, since
her own eclipse would undoubtedly be shared by Mlle. Sainval, whom she
now hated far more than she ever had the younger actress, she was
prepared to regard that eventuality with complacency.
Mlle. Raucourt, then at Berlin, was accordingly invited to return, and
accepted the invitation readily enough, though it may be doubted whether
she would have done so at all, could she have foreseen the kind of
reception which awaited her. Her creditors, acting doubtless on a hint
from an influential quarter, showed no disposition to molest her; but
the scandals with which her name had been associated had not been
forgotten. Every door was closed to her; no one could be persuaded to
have any dealings with this “most compromising of women.”
Friendless and without resources, she knew not where to go, when the
good-natured Sophie Arnould offered her hospitality. It was a courageous
act on the ex-singer’s part, since her own and Mlle. Raucourt’s enemies
did not hesitate to attribute it to the most shameful motives. The same
abominable charge which had been brought against the _tragédienne_ was
now openly levelled at her.
Sophie, however, cared very little what people might say about her. Not
content with extending her hospitality to the proscribed actress, she
did everything in her power to interest her friends in favour of her
_protégée_. To please his mistress, the Prince d’Hénin became one of
Mlle. Raucourt’s warmest partisans, and used all his not inconsiderable
influence to break down the social quarantine to which she was
subjected.
Public-domain text, read in full here on John Shaqi.
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