Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
In truth, Louise Contat was a species of _grande dame_, whose salon
partook of the appearance of the salons of former times; one of those
delightful rendezvous where the exquisite courtesy and tact of the
hostess never failed to place every member of the company, from the
highest to the lowest, immediately at his ease. To see the actress in
the midst of her guests must have been a useful object-lesson for any
lady who aspired to social popularity. “With what art she knew how to
talk to some the language of the Court of Marie Antoinette, to the
generals of their victories, to the orators, to the financiers, of their
ambitions or their affairs; to salute a marquis of thirty-six
quarterings with a sweeping courtesy, to carve an epigram, to improvise
a quatrain, to analyse a play!... So many qualities attracted,
conquered, and retained the most rebellious.”[162]
Mlle. Contat’s early education had been somewhat neglected, but she had
contrived to atone for its deficiencies by reading and conversation, and
by “that precious faculty of assimilation, of transforming in the
crucible of an original nature the knowledge and the talent of others
into her own.” Her conversation was always charming and witty, though
her wit was untinged by malice--“the irony of Voltaire tempered by
feminine sweetness.” On occasion, however, she could be very severe upon
those who blasphemed her idol--good taste. One day, a hunchbacked duke,
a well-meaning, but somewhat maladroit person, was ill-advised enough
to remind her of the days, now alas! long past, when she had possessed
the most exquisite figure in Paris. Mlle. Contat, though furious at the
pleasantry, dissembled her indignation, but bided her time; and when,
the conversation happening to turn upon hunchbacked people, the duke
observed that Nature, by way of compensation, almost invariably endowed
those so afflicted with intelligence of an unusually high order,
exclaimed: “_Ah! Monsieur le Duc, vous n’êtes que contrefait!_”
Yet she was quite incapable of bearing malice, and more than once gave
proof of rare magnanimity. Placed under surveillance in her
country-house at Ivry during the Terror, she saved the life of one of
her persecutors, who, proscribed in his turn, threw himself upon her
compassion. For some days, she concealed him in her room, bringing him
his food with her own hands. Then, learning that search-parties were
scouring the neighbourhood, and that it was no longer safe for him to
remain, she took the gardener’s wife into her confidence, dressed
herself in the woman’s clothes, disguised her guest as the gardener’s
boy, and drove him in a cart laden with vegetables and milk to
Choisy-le-Roi, whence he was able to make his escape to
Villeneuve-Saint-George and the Forest of Senart.
Public-domain text, read in full here on John Shaqi.
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