Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
The troupe which he had left at Warsaw, deprived of its director and its
salaries, for we may presume that M. Saint-Huberty had taken most of its
available cash with him, found itself in a parlous condition. In the
meantime, however, Antoinette had scored a great personal triumph in the
opera of _Zémire et Azor_, when the reception she met with must have
exceeded her fondest anticipations. Warsaw, in those days, was
essentially a city of pleasure; and its upper classes prided themselves
on following the manners and modes of Paris. The Opera was especially
high in favour, and, as the public was not very discriminating and
lavishly generous to those who earned its approbation, artistes of very
mediocre talent, who in Paris would have been accounted fortunate to be
received in nothing worse than silence, found themselves lauded to the
skies and loaded with gifts. The enthusiasm evoked by Madame
Saint-Huberty’s singing found vent in numerous valuable presents being
made to the artiste, who was thus enabled to realise a sum of 12,000
livres, wherewith she proceeded to release her worthless husband from
his Prussian dungeon. That gentleman, accordingly, returned to Warsaw;
but his creditors in the Polish capital, encouraged by the success which
had attended the proceedings of their fellow victims in Berlin, assumed
so threatening an attitude that, after a brief period of repose, he
judged it expedient to resume his travels, and, one fine night, suddenly
disappeared.
According to his custom, M. Saint-Huberty did not depart with empty
hands. This time he had carried off not only all his wife’s ready money,
but even the contents of her wardrobe, including the costumes which she
wore upon the stage, leaving her without resources and almost without
clothes. Happily, a wealthy and generous Polish lady, the Princess
Lubomirska, took compassion upon the unfortunate actress, refurnished
her wardrobe, and gave her shelter for three months in her own palace.
Soon, however, difficulties arose with her husband’s numerous creditors,
who endeavoured to fix upon her the responsibility for the debts which
the fugitive impresario had contracted; and, in order to free herself
from all responsibility in connection with his liabilities, Madame
Saint-Huberty was obliged to obtain from the authorities at Warsaw a
formal separation, in regard to property. And here is the declaration
which she made on this occasion, bearing date March 17, 1777:
Public-domain text, read in full here on John Shaqi.
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