Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
An ardent politician and possessed of considerable literary gifts, he,
in 1788, made his _début_ as a publicist by a _Mémoire sur les états
généraux, leurs droits et la manière de les convoquer_, which showed a
marked predilection for republican government, and created no small
sensation. However, his opinions underwent a sudden and startling
transformation soon after he had taken his seat in the States-General,
and thenceforth he combated with warmth the very doctrines of which he
had once been the ardent advocate. So complete a _volte-face_ naturally
excited the ridicule and contempt of his former political friends, and
Mirabeau, in a published letter addressed to him, compared him to a
weather-cock; but that he was animated by sincere conviction there can
be no question.
At what period began the connection between the count and the singer,
which was to end in so tragic a manner, is uncertain. But, according to
a letter written by d’Antraigues to his wife, after their secret
marriage in 1790, their first relations went back to 1783. However that
may be, d’Antraigues did not immediately become the lady’s lover, for
his early letters, several of which were in the possession of Edmond de
Goncourt, at the time when he wrote his monograph on the actress,
reveal him as still in the character of a _soupirant_, and a very humble
one at that. “I beg you,” one of these epistles concludes, “to continue
your kindness towards me, and to be well assured of the esteem and
attachment with which you have inspired me.”
Gradually, however, the esteem and attachment develop into a warmer
feeling, and we find him imploring her not to forget “a man who loves
her heart and her virtues,” though two hundred leagues separate them.
One of these later letters, written in answer to some complaints of
Madame Saint-Huberty in regard to the envious and jealous persons by
whom she was surrounded, is of interest, since it shows that at the
height of her fame the great singer still led a simple life, and that,
even if she were the abandoned woman that Dauvergne declared her to be,
she did not stoop to venal amours:
Public-domain text, read in full here on John Shaqi.
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