Later Queens of the French StageWilliams, H. Noel (Hugh Noel)
History
Later Queens of the French Stage
Williams, H. Noel (Hugh Noel)
Actresses -- France -- Biography
Towards the end of the following year, the Comtesse d’Antraigues became
_enceinte_. The marriage having been kept secret, the count was anxious
that the birth of the child should not be known in the neighbourhood;
and it was at a little village on the outskirts of Milan that, on June
26, 1792, the ex-singer presented him with a son, baptized two days
later, under the names of Pierre Antoine Emmanuel Jules, born of the
illustrious Emmanuel Louis Alexandre Henri de Launai, Comte d’Antraigues
and of the dame Antoinette Clavel. So soon as the countess was
sufficiently recovered to travel, she, with her husband and infant son,
returned to Mindrisio.
From this quiet corner of Italian Switzerland, where he lived with the
former queen of the Opera, the Comte d’Antraigues combated the men and
things of the new France, in a series of very able brochures, wherein
he constituted himself the speaking-trumpet of the counter-Revolution.
But he was very far from being content with this warfare of the pen. He
became the devoted servant of the Bourbons, the intermediary between
them and the Courts of St. James’s, Madrid, Berlin, and Vienna, and
rendered material assistance in weaving that network of secret intrigue,
which, in spite of the successes of the French armies, for long rendered
doubtful the establishment of the new order of things.[211]
In discharge of these diplomatic missions, he travelled incessantly,
accompanied everywhere by his wife, who shared his fatigues and dangers,
and received, in return, his full confidence. The count and countess
were at Venice, in May 1795, when the city was occupied by the French
troops. The count, who was at the time specially attached to the Russian
legation, left with the Minister and his suite, accompanied by his wife
and child; but at Trieste the party was stopped by orders of Bernadotte,
who commanded the French there, and d’Antraigues arrested.
On being told that he was to be sent to Milan, the count begged the
Russian Minister to take charge of Madame Saint-Huberty--for by that
name she was still known--but the ex-singer insisted on sharing his
captivity.
Touched by so much devotion, d’Antraigues explained to his captors that
the lady was his lawful wife, and obtained permission for her to
accompany him to Milan. “I declared at once to my tyrants,” he says,
“that I was married, that I had a son, and that I desired to see him.
They acceded to my request. She came, with that dear child of five years
old, who threw himself upon me. That moment, which made her mine for
ever, caused me to forget my foes, my persecutors, the future and the
present. I owe that to my persecutors. To say how much I was indebted to
my wife in these frightful circumstances is beyond my power. Never did
there exist a courage more firm, a soul more mistress of itself, a
character stronger in adversity; never did one behold more
self-confidence in misfortune.”
Public-domain text, read in full here on John Shaqi.
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