Latin America: Its Rise and ProgressGarcía Calderón, Francisco
History
Latin America: Its Rise and Progress
García Calderón, Francisco
Latin America
A political poet again, Juan Cruz, of Argentina, gracefully
proclaimed the glory of the Unitarian party and that of the reformer
Rivadavia.
The contemporary writers of the Revolution did not forget the
instruction received in Spain, in the universities of the eighteenth
century, where they studied in Latin and commented upon the classics
of Greece and Rome. They read and imitated Horace and Virgil, and
were inspired by the ancient democracies, and the heroes of Plutarch;
the Isthmus of Panama was compared to that of Corinth. At their
birth the Republics appointed consuls and triumvirs. In speeches and
proclamations of the time we find numerous classical reminiscences;
politicians and poets borrowed their images from Pindar, Horace,
Homer, and Virgil.
The influence of the classics and of Quintana is especially to be
remarked in Olmedo, the poet of Ecuador, who chanted the victory of
Junin and the genius of Bolivar. The movement of his verses is that
of a Latin ode, while the eloquence, sonority, and graceful
progression of his stanzas recalls the Spanish classics.
The Venezuelan lyrist Bello, a true humanist, was inspired by Virgil,
and attained a truly classic perfection.
{252}
But Quintana was not alone in serving as model to the lost colonies;
others, the fiery Gallego, and Moratin, the author of delightful
comedies; a critic, Alberto Lista; Melendez, Cienfugos, and Martinez
de la Rosa, cultivators of a correct, elegant, and frigid form, were
also imitated, and the imitators could not free themselves from their
impoverished classicism. Olmedo (1780) and Bello (1781) were both
masters of metre, taste, and harmony. It is not easy in their case
to separate the politician from the artist, they themselves
considering their art to be a high republican function; Olmedo
counsels federation in his _Canto à Junin_, and José Eusebio Caro
attacks the tyrant Lopez in a poem upon liberty, while Felipe Pardo
writes political satires. Of the American democracies he says:
"Zar de tres tintas, indio, bianco y negro,
Que rige el continente americano
Y que se llama Pueblo Soberano."[2]
Public-domain text, read in full here on John Shaqi.
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