Latin America: Its Rise and ProgressGarcía Calderón, Francisco
History
Latin America: Its Rise and Progress
García Calderón, Francisco
Latin America
Blanco Fombona possesses irony, the gift of telling a story, a rich
descriptive talent, ease of dialogue, and a power of forcible
scene-painting. A novelist by temperament, he has written the
biography of a representative Creole, the lamentable type created by
environment, for whom love and life reserve their most terrible
cruelties. A scrupulous employé, neither strong nor cunning, he is
the product of the languorous tropical life; this "man of iron" is
the symbol of all the weaknesses. And about this life is all the
monotony of a small city, civil war, the secret hatred of Creoles and
foreigners, the superannuated grace of the Spanish manner and the
Spanish pomp--in short, the whole of a little seething world.
_Canaan_ is the romance of the promised land, of fertile Brazil,
where the blonde immigrant and the half-breeds of every shade compete
for the bounty of a prodigal Nature. This long struggle is the
dramatic interest of the book; its beauty lies in its magnificent
descriptions of the tropics; the language of Graça Aranha is full of
harmonious poetry. Angel de Estrada is one of the most cultivated
spirits of America. Traveller (is not one of his books entitled _Ame
Nomade_?), novelist, and poet, he distils in his books the
quintessence of long meditation and infinite reading. His novel
_Redención_ is the work of a humanist; civilisations, arts, beliefs,
all pass before us, evoked by the hand of a master. A subtle and
rich vocabulary serves him to give life to his ideas and resuscitate
the life of dead cities.
[Illustration: RICARDO ROJAS (ARGENTINA). Contemporary poet and
essayist. To face p. 268.]
{269}
Enrique Rodriguez Larreta has described in his novel _La Gloria de
don Ramiro_ the period of Philip II., bloody, austere, and
tyrannical. No American artist has his verbal wealth, his power of
evocation, and his meticulous scholarship and genius for
reconstruction. This patient and harmonious piece of work surprises
us in a literature full of improvisations like that of South America.
_La Raza de Cain_, by Reyles, is a remarkable romance, in which the
author shows us the superman, Nietzsche's man of prey, at grips with
the weak and the vanquished; he exalts, in language full of
eloquence, the Dionysiac joy of life and domination.
Public-domain text, read in full here on John Shaqi.
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