for a short time by court favour; the stupid and amiable aide-de-camp of Tiberius, Velleius Paterculus, no doubt repeating what he heard in official circles, speaks of him and Virgil as the two most eminent poets of the age! Tiberius himself, though he chiefly wrote in Greek, occasionally turned off a copy of Latin verses; and his nephew Germanicus, a man of much learning and culture, composed a Latin version of the famous _Phaenomena_ of Aratus, which shows uncommon skill and talent. Another, and a more important work of the same type, but with more original power, and less a mere adaptation of Greek originals, is the _Astronomica,_ ascribed on doubtful manuscript evidence to an otherwise unknown Gaius or Marcus Manilius. This poem, from the allusions in it to the destruction of the three legions under Varus, and the retirement of Tiberius in Rhodes, must have been begun in the later years of Augustus, though probably not completed till after his death. As extant it consists of five books, the last being incomplete; the full plan seems to have included a sixth, and would have extended the work to about five thousand lines, or two-thirds of the length of the _De Rerum Natura_. Next to the poem of Lucretius it is, therefore, much the largest in bulk of extant Latin didactic poems. The oblivion into which it has fallen is, perhaps, a little hard if one considers how much Latin poetry of no greater merit continues to have a certain reputation, and even now and then to be read. The author is not a great poet; but he is a writer of real power both in thought and style. The versification of his _Astronomica_ shows a high mastery of technique. The matter is often prosaically handled, and often seeks relief from prosaic handling in ill- judged flights of rhetoric; but throughout we feel a strong and original mind, with a large power over lucid and forcible expression. In the prologue to the third book he rejects for himself the common material for hexameter poems, subjects from the Greek heroic cycle, or from Roman history. His total want of narrative gift, as shown by the languor and flatness of the elaborate episode in which he attempts to tell the story of Perseus and Andromeda, would have been sufficient reason for this decision; but he justifies it, in lines of much grace and feeling, as due to his desire to take a line of his own, and make a fresh if a small conquest for Latin poetry. _Omnis ad accessus Heliconis semita trita est, Et iam confusi manant de fonitibus amnes Nec capiunt haustum, turbamque ad nota ruentem: Integra quaeramus rorantes prata per herbas Undamque occultis meditantem murmur in antris._ In a passage of nobler and more sincere feeling, he breaks off his catalogue of the signs of the Zodiac to vindicate the arduous study of abstract science--