Memoirs were written in the Neronian age by numbers both of men and
women. Those of the Empress Agrippina were used by Tacitus; and we have
references to others by the two great Roman generals of the period,
Suetonius Paulinus and Domitius Corbulo. The production of scientific or
technical treatises, which had been so profuse in the preceding
generation, still went on. Only two of any importance are extant; one of
these, the _Chorographia_ of Pomponius Mela, a geographical manual based
on the best authorities and embellished with descriptions of places,
peoples, and customs, is valuable as the earliest and one of the most
complete systems of ancient geography which we possess; but in literary
merit it falls far short of the other, the elaborate work on agriculture
by Lucius Junius Moderatus Columella. Both Mela and Columella were
natives of Spain, and thus belong to the Spanish school of Latin authors,
which begins with the Senecas and is continued later by Martial and
Quintilian. But while Mela, in his style, followed the new fashion,
Columella, an enthusiast for antiquity and a warm admirer of the Augustan
writers, reverts to the more classical manner, which a little later
became once more predominant in the writers of the Flavian period. His
simple and dignified style is much above the level of a mere technical
treatise. His prose, indeed, may be read with more pleasure than the
verse in which, by a singular caprice, one of the twelve books is
composed. In one of the most beautiful episodes of the _Georgics_, Virgil
had briefly touched on the subject of gardening, and left it to be
treated by others who might come after him: _praetereo atque aliis post
me memoranda relinquo_. At the instance, he says, of friends, Columella
attempts to fill up the gap by a fifth Georgic on horticulture. He
approaches the task so modestly, and carries it out so simply, that
critics are not inclined to be very severe; but he was no poet, and the
book is little more than a cento from Virgil, carefully and smoothly
written, and hardly if at all disfigured by pretentiousness or rhetorical
conceits.
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