"Nonsense!"
"Anyhow, I've got a description that her father or her mother or
her friends can recognize. The one you and the other papers printed
disguised her so that nobody could tell who she was--it might have
covered a hundred girls."
Rapidly, and without noting the editor's growing impatience, Paul read
the two descriptions, then ran on, breathlessly:
"All we have to do is print ten or twenty thousand of these and mail
them out with the morning edition--separate sheets, posters, you
understand?--so they can be nailed up in every post-office within two
hundred miles. Send some to the police of all the cities, and we'll
have a flash in twenty-four hours."
Burns made no comment for a moment. Instead, he looked the young man
over angrily from his eager face to his unblacked shoes. His silence,
his stare, were eloquent.
"Why? Why not?" Anderson demanded, querulously. "I tell you this
description isn't right. It--it's nothing like her, nothing at all."
"Say! I thought I'd seen the last of you," growled the corpulent man.
"Aren't you on to yourself yet?"
"Do you--mean that your talk this evening don't go?" Paul demanded,
quietly. "Do you mean to say you won't even give me the chance you
promised?"
"No! I don't mean that. What I said goes, all right, but I told _you_
to identify this girl. I didn't agree to do it. What d'you think this
paper is, anyhow? We want stories in this office. We don't care who or
what this girl is unless there's a story in her. We're not running a
job-print shop nor a mail-order business to identify strayed females.
Twenty thousand posters! Bah! And say--don't you know that no two men
can write similar descriptions of anybody or anything? What's the
difference whether her hair is burnished gold or 'raw gold' or her
eyes bluish gray instead of grayish blue? Rats! Beat it!"
"But I tell you--"
"What's her name? Where does she live? What killed her? That's what I
want to know. I'd look fine, wouldn't I, circularizing a dead story?
Wouldn't that be a laugh on me? No, Mr. Anderson, author, artist, and
playwright, I'm getting damned tired of being pestered by you, and you
needn't come back here until you bring the goods. Do I make myself
plain?"
It was anger which cut short the younger man's reply. On account of
petty economy, for fear of ridicule, this editor refused to relieve
some withered old woman, some bent and worried old man, who might be,
who probably were, waiting, waiting, waiting in some out-of-the-way
village. So Anderson reflected. Because there might not be a story in
it this girl would go to the Potter's Field and her people would never
know. And yet, by Heaven, they _would_ know! Something told him there
_was_ a story back of this girl's death, and he swore to get it. With
a mighty effort he swallowed his chagrin and, disregarding the insult
to himself, replied:
"Very well. I've got you this time."
"Humph!" Burns grunted, viciously.
Public-domain text, read in full here on John Shaqi.
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