So the writer thought Irving Francis had voluntarily allowed his wife
to rival him. Phillips smiled at this. Some actors might be capable
of such generosity, but hardly Irving Francis. He recalled the man's
insistent demands during rehearsals that the 'script be changed to
build up his own part and undermine that of his wife; the many heated
arguments which had even threatened to prevent the final performance
of the piece. Irving's egotism had blinded him to the true result
of these quarrels, for although he had been given more lines, more
scenes, Phillips had seen to it that Norma was the one to really
profit by the changes. Author and star had been upon the verge
of rupture more than once during that heartbreaking period of
preparation, but Phillips was supremely glad now that he had held
himself in control. Léontine's constant nagging had borne fruit, after
all, in that it had at least taught him to bite down on his words, and
to smile at provocation.
Yes! Norma Berwynd was a star in spite of herself, in spite of her
husband. She was no longer merely the wife of Irving Francis, the
popular idol. Phillips was glad that she did not know how long it had
taken him to effect her independence, nor the price he had paid for
it, since, under the circumstances, the truth could help neither of
them.
He was aroused from his abstraction by the rustle of a woman's
garments, and leaped to his feet with a glad light in his eyes, only
to find Léontine, his wife, confronting him.
"Oh!" he said; then with an effort, "What is the matter?"
"Nothing."
"I didn't know you were coming down-town."
"Whom were you expecting?" Léontine mocked, with that slight accent
which betrayed her Gallic origin.
"No one."
She regarded him with fixed hostility. "I came down to see your
rehearsal. You don't object, I hope?"
"Why should I object?" Phillips turned away with a shrug. "I'm
surprised, that's all--after what you said this morning. Isn't your
interest in the play a trifle--tardy?"
"No! I've been greatly interested in it all the time. I read it
several times in manuscript."
"Indeed! I didn't know that. It won't be much of a rehearsal this
morning; I'm merely going to run over the third act with Mr. and Mrs.
Francis."
"You can rehearse her forty years and she'll never play the part."
"The critics don't agree with you; they rave over her. If Francis
himself--"
Mrs. Phillips uttered an exclamation of anger. "Oh, of course, _she_
is perfect! You wouldn't give me the part, would you? No. You gave it
to her. But it's mine by rights; I have the personality."
"I wrote it for her," said the husband, after a pause. "I can't see
you in it."
"Naturally," she sneered. "Well, _I_ can, and it's not too late to
make the change. I'll replace her. My name will help the piece."
"Léontine!" he exclaimed, in amazement. "What are you talking about?
The play is a tremendous success as it is, and Miss Berwynd is a big
hit. I'd be crazy to make a change."
Public-domain text, read in full here on John Shaqi.
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