"Look at it in this light," Phillips argued, after a pause. "Diane is a married woman; she, too, is fighting a battle; she is restrained by every convention, every sense of right, every instinct of wifehood and womanhood. Now, then, you must sweep all that aside; your own fire must set her ablaze despite--" "I? _I_ must do all this?" mocked the other, furiously. "Why must _I_ do it all? Make Norma play up to me. She underplays me all the time; she's not in my key. That's what's the matter--and I'm damned tired of this everlasting criticism." There was a strained silence, during which the two men faced each other threateningly, and a panic seized the woman. She managed to say, uncertainly: "Perhaps I--should play up to you, Irving." "On the contrary, I don't think the fault is yours," Phillips said, stiffly. Again there was a dramatic silence, in which there was no element of the make-believe. It was the clash of two strong men who disliked each other intensely and whose masks were slipping. Neither they nor the leading woman detected a figure stealing out from the gloom, as if drawn by the magnetism of their anger. "My fault, as usual," Francis sneered. "Understand this, Phillips, my reputation means something to me, and I won't be forced out of a good engagement by a--well, by you or by any other stage manager." Phillips saw that same fearful look leap into the woman's eyes, and it checked his heated retort. "I don't mean to find fault with you," he declared, evenly. "I have the greatest respect for your ability as an actor, but--" The star tossed his massive head in a peculiarly aggravating manner. "Perhaps you think you can play the part better than I?" "Irving! _Please_!" breathed his wife. "Show me how it should be done, if you feel it so strongly." "Thank you, I will," Phillips answered, impulsively. "I'm not an actor, but I wrote this piece. What's more, I lived it before I wrote it. It's my own story, and I think I know how it should be played." Francis smiled mockingly. "Good!" said he; "I shall learn something." "Do you mind?" The author turned to the real Diane, and she shook her head, saying, uncertainly: "It's--very good of you." "Very well. If you will hold the manuscript, Mr. Francis, I'll try to show what I feel the scene lacks. However, I don't think I'll need any prompting. Now, then, we'll begin at John Danton's entrance." With the mocking smile still upon his lips, Francis took the manuscript and seated himself upon the prompter's table.