"In order to understand the story you'll have to know something about
old Henry. You'll have to believe in heredity. Henry is a self-made
man. He came into the Middle West as a poor boy, and by force of
indomitable pluck, ability, and doggedness he became a captain of
industry. We were born on neighboring farms, and while I, after a
lifetime of work, have won nothing except an underpaid Government
job, Henry has become rich and mighty. He had that indefinable,
unacquirable faculty for making money, and he became a commanding
figure in the financial world. He's dominant, he's self-centered, he's
one-purposed; he's a rough-hewn block of a man, and his unbounded
wealth, his power, and his contact with the world have never smoothed
nor rounded him. He's just about the same now as when he was a section
boss on his own railroad. His daughter Alicia is another Henry Harman,
feminized. Her mother was a pampered child, born to ease and enslaved
to her own whims. No desire of hers, however extravagant, ever went
ungratified, and right up to the hour of her death old Henry never
said no to her--partly out of a spirit of amusement, I dare say, and
partly because she was the only unbridled extravagance he had ever
yielded to in all his life. Well, having sowed the wind, he reaped the
whirlwind in Alicia. She combined the distinguishing traits of both
parents, and she grew up more effectively spoiled than her mother.
"When I got a panicky letter from one of Running Elk's professors
coupling her name vaguely with that of my Indian, I wavered in
my determination to see this experiment out; but the analyst is
unsentimental, and a fellow who sets out to untangle the skein of
nature must pay the price, so I waited.
"That fall I was called to Washington on department business--we
were fighting for a new appropriation--and while there I went to the
theater one night. I was extremely harassed, and my mind was filled
with Indian matters, so I went out alone to seek an evening's relief,
not caring whither my feet took me.
"The play was one of those you spoke of; it told the story of a young
Indian college man in love with a white girl. Whether or not it was
well written I don't know; but it seemed as if the hand of destiny had
led me to it, for the hero's plight was so similar to the situation of
Running Elk that it seemed almost uncanny, and I wondered if this play
might afford me some solution of his difficulty.
Public-domain text, read in full here on John Shaqi.
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