"I dare say it is," the other reluctantly agreed. "I'm very busy, but if that is the quickest way to end the discussion I'll give you the prints. I assure you, nevertheless, it is an utter waste of your time and mine." He pushed a button and five minutes later a clerk staggered back into the room with an armful of blueprints that caused Mitchell to gasp. "The bid must be in Thursday at ten-thirty," Peebleby announced. "Thursday? Why, good Lord! That's only three days, and there's a dray-load of drawings!" "I told you it was a waste of time. You should have come sooner." Mitchell ran through the pile and his heart grew sick with dismay. There were drawings of tanks, drawings of substructures and superstructures in every phase of construction--enough of them to daunt a skilled engineer. He realized that he had by no means appreciated the full magnitude of this work, in fact had never figured on a job anything like this one. He could see at least a week's hard, constant labor ahead of him--a week's work to be done in three days. There was no use trying; the time was too short; it was a physical impossibility to formulate an intelligent proposition in such a short length of time. Then to Mitchell's mind came the picture of a wretched, golden-haired girl clinging to the iron fence of the Pennsylvania depot. He gathered the rolls into his arms. "At ten-thirty, Thursday," said he. "Ten-thirty, sharp." "Thank you. I'll have my bid in." His muscles ached and his knees were trembling even before he had reached the street. When he tried to board a 'bus he was waved away, so he called a cab, piled his blueprints inside of it, and then clambered in on top of them. He realized that he was badly frightened. To this day the sight of a blueprint gives Louis Mitchell a peculiar nausea and a fluttering sensation about the heart. At three o'clock the next morning he felt his way blindly to his bed and toppled upon it, falling straightway into a slumber during which he passed through monotonous, maddening wastes of blue and white, over which ran serpentine rows of figures. He was up with the dawn and at his desk again, but by four that afternoon he was too dazed, too exhausted to continue. His eyes were playing him tricks, the room was whirling, his hand was shaking until his fingers staggered drunkenly across the sheets of paper. Ground plans, substructures, superstructures, were jumbled into a frightful tangle. He wanted to yell. Instead he flung the drawings about the room, stamped savagely upon them, then rushed down-stairs and devoured a table d'hôte dinner. He washed the meal down with a bottle of red wine, smoked a long cigar, then undressed and went to bed amid the scattered blueprints. He slept like a dead man.