And so we come back, by a roundabout way, to the double conclusion we reached in the course of our investigations. On the one hand, a person is never ridiculous except through some mental attribute resembling absent-mindedness, through something that lives upon him without forming part of his organism, after the fashion of a parasite; that is the reason this state of mind is observable from without and capable of being corrected. But, on the other hand, just because laughter aims at correcting, it is expedient that the correction should reach as great a number of persons as possible. This is the reason comic observation instinctively proceeds to what is general. It chooses such peculiarities as admit of being reproduced and consequently are not indissolubly bound up with the individuality of a single person,--a possibly common sort of uncommonness, so to say,--peculiarities that are held in common. By transferring them to the stage, it creates works which doubtless belong to art in that their only visible aim is to please, but which will be found to contrast with other works of art by reason of their generality and also of their scarcely confessed or scarcely conscious intention to correct and instruct. So we were probably right in saying that comedy lies midway between art and life. It is not disinterested as genuine art is. By organising laughter, comedy accepts social life as a natural environment, it even obeys an impulse of social life. And in this respect it turns its back upon art, which is a breaking away from society and a return to pure nature. II Now let us see, in the light of what has gone before, the line to take for creating an ideally comic type of character, comic in itself, in its origin, and in all its manifestations. It must be deep-rooted, so as to supply comedy with inexhaustible matter, and yet superficial, in order that it may remain within the scope of comedy; invisible to its actual owner, for the comic ever partakes of the unconscious, but visible to everybody else, so that it may call forth general laughter, extremely considerate to its own self, so that it may be displayed without scruple, but troublesome to others, so that they may repress it without pity; immediately repressible, so that our laughter may not have been wasted, but sure of reappearing under fresh aspects, so that laughter may always find something to do; inseparable from social life, although insufferable to society; capable--in order that it may assume the greatest imaginable variety of forms--of being tacked on to all the vices and even to a good many virtues. Truly a goodly number of elements to fuse together! But a chemist of the soul, entrusted with this elaborate preparation, would be somewhat disappointed when pouring out the contents of his retort. He would find he had taken a vast deal of trouble to compound a mixture which may be found ready-made and free of expense, for it is as widespread throughout mankind as air throughout nature.