Laughter: An Essay on the Meaning of the ComicBergson, Henri
Philosophy
Laughter: An Essay on the Meaning of the Comic
Bergson, Henri
Comedy; Laughter; Philosophy, French
While dealing with the comic in form and movement, we showed how any
simple image, laughable in itself, is capable of worming its way into
other images of a more complex nature and instilling into them
something of its comic essence; thus, the highest forms of the comic
can sometimes be explained by the lowest. The inverse process, however,
is perhaps even more common, and many coarse comic effects are the
direct result of a drop from some very subtle comic element. For
instance, vanity, that higher form of the comic, is an element we are
prone to look for, minutely though unconsciously, in every
manifestation of human activity. We look for it if only to laugh at it.
Indeed, our imagination often locates it where it has no business to
be. Perhaps we must attribute to this source the altogether coarse
comic element in certain effects which psychologists have very
inadequately explained by contrast: a short man bowing his head to pass
beneath a large door; two individuals, one very tall the other a mere
dwarf, gravely walking along arm-in-arm, etc. By scanning narrowly this
latter image, we shall probably find that the shorter of the two
persons seems as though he were trying TO RAISE HIMSELF to the height
of the taller, like the frog that wanted to make itself as large as the
ox.
III
It would be quite impossible to go through all the peculiarities of
character that either coalesce or compete with vanity in order to force
themselves upon the attention of the comic poet. We have shown that all
failings may become laughable, and even, occasionally, many a good
quality. Even though a list of all the peculiarities that have ever
been found ridiculous were drawn up, comedy would manage to add to
them, not indeed by creating artificial ones, but by discovering lines
of comic development that had hitherto gone unnoticed; thus does
imagination isolate ever fresh figures in the intricate design of one
and the same piece of tapestry. The essential condition, as we know, is
that the peculiarity observed should straightway appear as a kind of
CATEGORY into which a number of individuals can step.
Now, there are ready-made categories established by society itself, and
necessary to it because it is based on the division of labour. We mean
the various trades, public services and professions. Each particular
profession impresses on its corporate members certain habits of mind
and peculiarities of character in which they resemble each other and
also distinguish themselves from the rest. Small societies are thus
formed within the bosom of Society at large. Doubtless they arise from
the very organisation of Society as a whole. And yet, if they held too
much aloof, there would be a risk of their proving harmful to
sociability.
Public-domain text, read in full here on John Shaqi.
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