Laughter: An Essay on the Meaning of the ComicBergson, Henri
Philosophy
Laughter: An Essay on the Meaning of the Comic
Bergson, Henri
Comedy; Laughter; Philosophy, French
Q. That is sad, very sad. He disappeared, then? A. Well, yes, in a sort
of general way. We buried him.
Q. BURIED him! BURIED him, without knowing whether he was dead or not?
A. Oh no! Not that. He was dead enough.
Q. Well, I confess that I can't understand this. If you buried him, and
you knew he was dead--A. No! no! We only thought he was.
Q. Oh, I see! He came to life again? A. I bet he didn't.
Q. Well, I never heard anything like this. SOMEBODY was dead. SOMEBODY
was buried. Now, where was the mystery? A. Ah! that's just it! That's
it exactly. You see, we were twins,--defunct and I,--and we got mixed
in the bath-tub when we were only two weeks old, and one of us was
drowned. But we didn't know which. Some think it was Bill. Some think
it was me.
Q. Well, that is remarkable. What do YOU think? A. Goodness knows! I
would give whole worlds to know. This solemn, this awful tragedy has
cast a gloom over my whole life. But I will tell you a secret now,
which I have never revealed to any creature before. One of us had a
peculiar mark,--a large mole on the back of his left hand: that was ME.
THAT CHILD WAS THE ONE THAT WAS DROWNED! ... etc., etc.
A close examination will show us that the absurdity of this dialogue is
by no means an absurdity of an ordinary type. It would disappear were
not the speaker himself one of the twins in the story. It results
entirely from the fact that Mark Twain asserts he is one of these
twins, whilst all the time he talks as though he were a third person
who tells the tale. In many of our dreams we adopt exactly the same
method.
V
Regarded from this latter point of view, the comic seems to show itself
in a form somewhat different from the one we lately attributed to it.
Up to this point, we have regarded laughter as first and foremost a
means of correction. If you take the series of comic varieties and
isolate the predominant types at long intervals, you will find that all
the intervening varieties borrow their comic quality from their
resemblance to these types, and that the types themselves are so many
models of impertinence with regard to society. To these impertinences
society retorts by laughter, an even greater impertinence. So evidently
there is nothing very benevolent in laughter. It seems rather inclined
to return evil for evil.
Public-domain text, read in full here on John Shaqi.
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