Laurus Nobilis: Chapters on Art and LifeLee, Vernon
Philosophy
Laurus Nobilis: Chapters on Art and Life
Lee, Vernon
Aesthetics
We must, of course, understand _usefulness_ in its widest sense;
otherwise we should be looking at the world in a manner too little
utilitarian, not too much so. Houses and furniture and utensils,
clothes, tools and weapons, must undoubtedly exemplify utility first
and foremost because they serve our life in the most direct,
indispensable and unvarying fashion, always necessary and necessary to
everyone. But once these universal unchanging needs supplied, a great
many others become visible: needs to the individual or to individuals
and races under definite and changing circumstances. The sonnet or the
serenade are useful to the romantic lover in the same manner that
carriage-horses and fine clothes are useful to the man who woos more
practically-minded ladies. The diamonds of a rich woman serve to mark
her status quite as much as to please the unpleasable eye of envy; in
the same way that the uniform, the robes and vestments, are needed to
set aside the soldier, the magistrate or priest, and give him the
right of dealing _ex officio_, not as a mere man among men. And the
consciousness of such apparent superfluities, whether they be the
expression of wealth or of hierarchy, of fashion or of caste, gives to
their possessor that additional self-importance which is quite as much
wanted by the ungainly or diffident moral man as the additional warmth
of his more obviously needed raiment is by the poor, chilly, bodily
human being. I will not enlarge upon the practical uses which recent
ethnology has discovered in the tattooing, the painting, the masks,
headdresses, feather skirts, cowries and beads, of all that elaborate
ornamentation with which, only a few years back, we were in the habit
of reproaching the poor, foolish, naked savages; additional knowledge
of their habits having demonstrated rather our folly than theirs, in
taking for granted that any race of men would prefer ornament to
clothes, unless, as was the case, these ornaments were really more
indispensable in their particular mode of life. For an ornament which
terrifies an enemy, propitiates a god, paralyses a wild beast, or
gains a wife, is a matter of utility, not of aesthetic luxury, so long
as it happens to be efficacious, or so long as its efficacy is
believed in. Indeed, the gold coach and liveried trumpeters of the
nostrum vendor of bygone days, like their less enlivening equivalents
in many more modern professions, are of the nature of trade tools,
although the things they fashion are only the foolish minds of
possible customers.
Public-domain text, read in full here on John Shaqi.
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