productions—(the old town has been always celebrated for its artistic taste) and, what do you think? offered me the painting of the mayor’s portrait, and a hundred pounds for my trouble. Well, of course I was much surprised, and for a minute or two could scarcely speak; recovering myself, however, I made a speech, not so eloquent as that of the watchmaker, of course, being not so accustomed to speaking; but not so bad either, taking everything into consideration, telling them how flattered I felt by the honour which they had conferred in proposing to me such an undertaking; expressing, however, my fears that I was not competent to the task, and concluding by saying what a pity it was that Crome was dead. ‘Crome,’ said the little man, ‘Crome; yes, he was a clever man, a very clever man in his way; he was good at painting landscapes and farm-houses, but he would not do in the present instance, were he alive. He had no conception of the heroic, sir. We want some person capable of representing our mayor striding under the Norman arch out of the cathedral.’ At the mention of the heroic, an idea came at once into my head. ‘Oh,’ said I, ‘if you are in quest of the heroic, I am glad that you came to me; don’t mistake me,’ I continued, ‘I do not mean to say that I could do justice to your subject, though I am fond of the heroic; but I can introduce you to a great master of the heroic, fully competent to do justice to your mayor. Not to me, therefore, be the painting of the picture given, but to a friend of mine, the great master of the heroic, to the best, the strongest, τω κρατιστω,’ I added, for, being amongst orators, I thought a word of Greek would tell.” “Well,” said I, “and what did the orators say?” “They gazed dubiously at me and at one another,” said my brother; “at last the watchmaker asked me who this Mr. Christo was; adding, that he had never heard of such a person; that, from my recommendation of him, he had no doubt that he was a very clever man; but that they should like to know something more about him before giving the commission to him. That he had heard of Christie the great auctioneer, who was considered to be an excellent judge of pictures; but he supposed that I scarcely—Whereupon, interrupting the watchmaker, I told him that I alluded neither to Christo nor to Christie; but to the painter of Lazarus rising from the grave, a painter under whom I had myself studied during some months that I had spent in London, and to whom I was indebted for much connected with the heroic.”