Lavinia casts a glance over her shoulder, still flying along, to see
whether the train, faintly heard coming up behind them, is yet in sight;
and, having done so, pulls herself up to a stop with such sudden
violence that her knees rock under her. The horrified cry that
accompanies her arrested motion stays Rupert’s flying steps too, though
the impetus of his going carries him several paces beyond her before he
can stop himself. Astonishment at what can have checked a haste so
urgent as hers makes him too look round, gives to his sight also the
object that has frozen her flight into a paralysis of still horror. A
curve of the line hides the approaching train from their sight, though
their ears plainly inform them of its increasing nearness; but at what
appears to be about halfway between the point at which they stand and
the curve, though in reality it is much nearer to themselves, a little
child is clearly seen standing out against the strong yellow light of
the May evening--a little child obviously at that most dangerous age
which has legs to toddle, but no judgment to guide those legs. Probably
it has crept through a gap in the hedge from the pointsman’s cottage,
which they had passed close to the locked and climbed gate; but the two
spectators of its prowess have no time to speculate as to how it came
into its present position of imminent peril.
“It is all right; it is on the up line,” Rupert says, with a sort of
hiss.
“No, it isn’t; it is on the down.”
An instantaneous thought leaps from one pair of eyes to the other; and
in Rupert’s Lavinia reads a blind terror. That sixtieth part of a second
reveals to her that it has been the apprehension of her lifetime to find
such a terror in his eyes at some such crisis of his existence--the
predominating, all-mastering, terror of an injury to his own skin. If
the endangered infant is to be saved, it will not be by him. Without a
second glance at her companion--yes, she is _almost_--would to God she
could be _quite_ sure afterwards that she had not thrown him one glance
of contempt or reproach!--she rushes back along the way she has come at
the highest speed of which her already strained limbs and labouring
lungs are capable, taking instinctively to the metals themselves, so as
not to be impeded by grass and flowers. Will she be in time? She tries
to shout a warning to the little toddling thing, but not a sound louder
than a useless dissonant whisper will issue from her protesting throat.
Public-domain text, read in full here on John Shaqi.
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