“I did not at first,” answers the girl, still looking straight before
her, with eyes that yet feel dazzled; “I thought it ought to be part of
my punishment; but,” faltering, “I had not resolution enough to keep to
it. And, even if I had, it would have been no use. The children----”
“Yes,” returns the mother, with a rather quivering pride in her voice;
“it would be difficult to be long in the company of my progeny without
hearing the name of _Binning_”--pronouncing it with a ringing clearness.
“_They_, at least, are faithful to the one hero whom they can call
friend!”
At the thus audaciously syllabled name, whose utterance has been tacitly
prohibited between them for over a year, Lavinia gives a low cry. But in
the over-set face that she suddenly turns upon her friend there is no
anger, only an immense mazed joy, fighting its way out of the Bastille
of the long remorseful sorrow that has prisoned and gagged it; and her
fair head falls forward on the shoulder of Binning’s advocate. Through
the thin fabric of her gown Mrs. Darcy feels the glow of the hidden
face, and it spurs her to fresh effort.
“Are you not rather tired of being _dead_?” she whispers. “It is all
very well for a time, but it must pall! Come back to life! Put off these
hateful weeds, put on a white gown, and come back to life _to-day_!
Believe me”--with an accent of exulting persuasiveness--“you could not
choose a better moment!”
* * * * *
The party to the choir boys of St. Gengulpha’s is being put through with
the thoroughness which, since Mrs. Darcy’s advent, fifteen years ago,
has characterized all the Rectory functions; and, indeed, is drawing
towards its close. For four sunshiny hours, twenty happy boys in
flannels, with sharp towny faces, have been expatiating about the
grounds, and have drunk to the full of the varied entertainments offered
them--entertainments shared by half the neighbourhood, annually
compelled by Mrs. Darcy to come in to her aid. The Vicar of St.
Gengulpha’s and his curates--lean men with intellectual faces, supported
by the gamest of their pale choir boys, have stretched muscles that yet
remember the playing-fields and the Isis, in the best tug-of-war in the
Campion records, against the rector and his inferior songsters. The
smartest young ladies of the neighbourhood have not disdained, though
hampered by long-tailed swishy gowns, to join in a game of rounders with
the visitors, nor do the inelegance of their futile efforts to get their
draperies out of the way, nor the potency of the sun’s beams at all
reduce the good will and perseverance with which they arduously scamper.
The “donkey” has repeatedly conquered and been conquered. The donkey is
an apocryphal animal, with a wooden head; and, for body, a revolving
barrel, mounted on whose elusive convexity the rider has to snatch a
threepenny bit from its distant nose. Many are the ignominious falls
given by him, many the glorious victories won over his treacherously
Public-domain text, read in full here on John Shaqi.
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