Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
I informed the concierge that I did not wish the man to be sent away;
but it seemed that the landlord cared for nothing but his rent. That
evening, about eight o’clock, I heard the tailor singing with all his
lungs; he executed trills and flourishes. Who would ever have believed
that the man had not a sou?
I remembered the fable of the cobbler and the banker; suppose I should
go to my neighbor and give him money to keep silent? But perhaps that
would make him sing all the louder; for one could find few cobblers like
the one in the fable. However, I yielded to the idea of going to my
neighbor. If he was an obliging person, perhaps he would consent to
sing not quite so loud. But I had little hope of it, for the Germans are
obstinate and they are fond of music. Never mind, I would go to see the
tailor none the less.
I ascended the stairs which separated me from the attic. My neighbor’s
voice guided me to his door. The key was on the outside, but for all
that I knocked before opening the door.
He continued to sing a passage from _Der Freischütz_, and did not reply;
thereupon I opened the door.
I entered a room in which there was a mattress with a wretched coverlid
thrown over it, in one corner. A rickety chair, a few broken jars and a
long board which served doubtless as a table, but which was then
standing against the wall--that was all the furniture. Leaning on the
sill of the window, which was open, was a man, still young, whose
good-humored, bloated face was not unfamiliar to me. He was in his shirt
sleeves, and was seated after the manner of tailors, with his knees
outside the window, a position which made him likely to fall into the
courtyard at the slightest forward movement.
On my arrival he stopped in the middle of a trill and exclaimed:
“Hello! I thought it was the concierge to ask for money again. I should
have said to him: ‘prout, prout!’ Sit you down, monsieur.”
I sat down, for my neighbor seemed quite unceremonious; he had not
risen. I do not know whether he thought that I had come to hear him
sing; but he seemed inclined to resume his performance. I stopped him at
once.
“Monsieur, I am your neighbor.”
“Indeed! you are my neighbor, are you? Beside me or below?”
“Below.”
“Oh, yes! it’s a fact that on this floor there’s nobody but the cooks of
the house, all old women, unluckily. They don’t sing, they don’t make
love, they don’t know how to make anything but sauces,--reduced
consommés, as the one from the first floor says. For my part, I would
give all her consommés for a bottle of beaune. Ah! how delicious beaune
is! If I had any, I would give you some; but it is three days now that I
haven’t drunk anything but water. Prout, prout! I must make the best of
it.”
While the tailor was talking, I examined him, because I was confident
that I had seen him somewhere before, but I could not remember where.
Public-domain text, read in full here on John Shaqi.
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