Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
I had been a fortnight at Mont-d’Or, and I had intended to pass only one
week there. But I was enjoying myself; the company was agreeable;
however, if Caroline and her uncle had not been there, I should have
gone away; I was becoming accustomed to their society. There was nothing
to do there but converse, so that we were together almost all day. I was
not making love to Caroline, but she was very pretty; her black eyes
alternated in expression between gentleness and mischief. Although one
be not in love, there is always a charm attached to the presence of a
pretty woman; it was probably that charm which detained me.
There was not a ball or a concert in the assembly room every day; when
there was none, we remained at the hotel, and those guests who were
congenial met in the salon in the evening. Some played cards, but the
greater number conversed. There were some titled persons, and they were
not the most agreeable; but we left them to bore one another in their
corner, and we chatted with the clever artist, who always had a store of
amusing anecdotes in reserve, or with the lady’s man, who told us of his
latest adventures. In that circle, Monsieur Roquencourt was not among
those who talked least. If anyone mentioned a city, he had acted there;
if anyone mentioned a famous personage, he had known an actor who had
mimicked him to perfection, and he would proceed to give us a specimen.
I enjoyed listening; but I talked very little, and in what I did say, I
did not mention myself. Caroline, who, for all her frivolous and
coquettish air, observed very closely everything that took place in the
salon, said to me one day:
“Monsieur Dalbreuse, everybody here tells us his or her own experiences;
you alone have kept silent thus far. Why is it?”
“Presumably, I have none to relate, mademoiselle.”
“Or that you don’t choose to relate them. However, you are your own
master. For my part, I tell everything that concerns me, because
hitherto I have had nothing to keep secret. I am an orphan; my father,
who was an army contractor, left me twenty-five thousand francs a year.
I live with Monsieur Roquencourt, my mother’s brother and my guardian;
and he lets me do just as I choose, because he knows that I have been
accustomed to that from my childhood. That is my whole history, and you
know me as well now as if we had been brought up together.”
She thought perhaps that her confidence would provoke mine; but I
replied simply:
“How does it happen that, being as rich and lovely as you are, you have
never married?”
Public-domain text, read in full here on John Shaqi.
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