Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
We set to work at once. I labored at her portrait with pleasure; but
sometimes a cruel memory awoke in my heart; I remembered the delightful
sittings which my wife had given me. What a joy it was to me to paint
her! Ah! her smile was very sweet too, and her eyes were filled with
love for me.
When such ideas assailed me, a very perceptible change took place in my
expression, no doubt, for my model said to me for the second time:
“What on earth is the matter with you, Monsieur Dalbreuse? Don’t you
feel well?”
“Yes, mademoiselle.”
“You assumed such a melancholy expression all of a sudden! If it is a
bore to you to paint me, monsieur, there is no reason why you should go
on.”
“No, mademoiselle, on the contrary it is a great pleasure to me.”
“Oh! you say that in a very peculiar tone.”
I did not reply but went on with my work. Caroline became very serious
and did not say another word.
“Would you mind smiling a little, mademoiselle? You do not usually have
such a serious expression.”
“It’s because you say nothing to amuse me, and you yourself have
sometimes an expression--oh! mon Dieu! what an agreeable man you are!”
“I may have memories which are not very cheerful; and what I am doing at
this moment reminds me----”
“Of what?”
“Of a person whose portrait I once painted.”
“A woman?”
“Yes.”
“A woman whom you loved, I suppose?”
“Oh, yes!”
Caroline changed color and rose abruptly, saying:
“That’s enough for to-day; I won’t pose any more.”
“But, mademoiselle, we have just begun.”
“I am very sorry, but I am tired; besides, I don’t care any longer about
having my portrait painted!”
“What new whim is this?”
“Well, monsieur, if I choose to have whims----”
“I am very sorry too, but I have begun your portrait, and I want to
finish it.”
“I tell you that I don’t want a portrait; you would be obliged to keep
it, and I should like to know what good it would do you? A man doesn’t
wear a portrait. Oh, yes! in a locket sometimes, I believe.--Well, well!
now you are assuming your solemn expression again. Well, here I am,
monsieur, here I am, don’t be angry; great heaven! I will pose as long
as you wish.”
She resumed her seat. I glanced at her; she had hastily wiped her eyes,
and yet I saw tears still glistening in them. What an extraordinary
woman! What a combination of coquetry and sensibility! What on earth was
going on in her heart? I was sometimes afraid to guess.
We worked for a long time, but I made little progress with my task, for
I was absent-minded; the past and the present engrossed me in turn.
Caroline herself was thoughtful. Sometimes she talked to me about Paris,
and I divined that she was anxious to learn what my business was. I saw
no reason why I should not tell her that I was an advocate. She seemed
pleased to learn that I practised that profession. Why did she take so
much interest in my concerns? I had not addressed a word of love to her.
Public-domain text, read in full here on John Shaqi.
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