Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
I walked toward the mantel. That memorandum book was mine; it was the
one that I had handed to Ernest when we parted; by what chance did I
find it there? I took up the note. Ah! I recognized that writing. It
was Eugénie who had written: “For Monsieur Dalbreuse.” It was she who
had sent me that book. The idea of her wanting me to have her portrait!
What insolence! Should I not send it all back to her, without reading
her note? Yes, I should have done it; but as one does not often do what
one should do, I did not resist my curiosity, but I opened the note.
“I have learned, monsieur, that you wished to leave this hotel last
night. Let not my presence cause you to leave a place where you
seem to be enjoying yourself; I swear to you, monsieur, that you
will not meet me again; I shall not leave my room again, and if my
strength had allowed, I should have gone away instantly. I have
left your daughter with Madame Firmin. She and her husband
consented to undertake to act as parents to your children. I think
that you will approve of my having left your Henriette with them;
however, you will be at liberty to dispose of your daughter as you
choose; I give her back to you, I no longer desire to retain
anything except my tears and my remorse.”
How weak we are! I was incensed with her when I opened the note, and
when I had read it I was deeply moved, completely upset! That letter was
still wet with her tears. What a difference between it and the one with
which she answered mine two years before! If she had written thus to me
then--I did not know what I would have done. She gave me back my
daughter, she had left her with Marguerite; how did it happen that she
had entrusted her daughter to her? What change had taken place in her in
two years? I was utterly at sea; but I was delighted to know that my
little Henriette was with my loyal friends.
As for the memorandum book, I could not understand with what purpose she
had sent it to me. Did she hope to force me to love her again, did she
hope to obtain forgiveness by restoring that portrait to me? Oh, no! I
had loved her too dearly to forgive her. Why had Ernest given her that
souvenir? I determined to send it back to her.
I took the book in my hands and turned it over and over, as if to make
sure that it was really mine; finally I opened it, to see if the
painting had faded much in two years.
Public-domain text, read in full here on John Shaqi.
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