Le Cocu (Novels of Paul de Kock Volume XVIII)Kock, Paul de
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Le Cocu (Novels of Paul de Kock Volume XVIII)
Kock, Paul de
French fiction -- 19th century
The next day I took my children to Monsieur Roquencourt’s house. I found
the uncle walking in his garden, with several people from the
neighborhood. Rich folk soon become popular; the neighbors vie with one
another in becoming intimate with people who own a carriage. Monsieur
Roquencourt was telling his new acquaintances about a scene from
_Monsieur de Crac_; he took my son and daughter by the hand, and offered
to show them his garden and to let them taste his peaches. I let them go
and went into the house to pay my respects to Caroline. I heard the
notes of a piano. A piano! how many things that instrument recalled to
my mind! Those chords caused me a sharp pang now. I remembered that
Mademoiselle Derbin had told me that she played the piano. I strove to
overcome my emotions, and I entered the salon where Caroline was. I
listened to her for some time without speaking; I cannot describe my
sensations. She stopped at last and I approached her.
“Were you there?” she asked me.
“Yes, I have been listening to you.”
“Didn’t you bring your children?”
“I beg pardon, they are with your uncle.”
“Your children are lovely, and I congratulate you, monsieur, upon having
them with you. It is a proof that your wife has forgiven your
wrongdoing, since she entrusts to you her dearest treasures. That leads
me to think that before long she herself----”
“Did you see her again before leaving Mont-d’Or, mademoiselle?”
“No, monsieur; she left the hotel where we were staying, on the day
after you. Don’t you know where she is now?”
“No, mademoiselle.”
“Upon my word, monsieur, I utterly fail to understand your conduct. You
seem to love, to be devoted to your children, and you abandon their
suffering, unhappy mother! If I had never seen you, and anybody had told
me about you, I should have imagined you as hideous physically as
morally; but when one knows you, one cannot think that.”
Public-domain text, read in full here on John Shaqi.
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