Leadwork, Old and Ornamental and for the most part EnglishLethaby, W. R. (William Richard)
History
Leadwork, Old and Ornamental and for the most part English
Lethaby, W. R. (William Richard)
Leadwork
Sometimes the heads are very long, extending five or six feet like a
length of gutter; it was a favourite method to decorate them with
salient projections at intervals, like the cut-waters of a bridge, the
top edge of these is cut into little battlements which were curled over
in loops. The projections make convenient birds’ nests. The pipe is
sometimes central to these long heads but often at the end.
Entirely the reverse of these, other heads are tall in proportion, like
the examples at Shrewsbury and Ludlow or the little fiddle pattern
design given here from the Grammar School at Sherborne (Fig. 73). The
two examples 74 and 75 are from Liverpool and Ashbourn.
There are three or four original pipe heads which are well designed in
the Architectural Museum.
[Illustration: FIG. 75.--Ashbourne.]
The later ones, as in London, are often tall square funnels moulded and
bent into vase-like forms, the projection was small compared to the
width, only three or four inches sometimes. A piece of projecting pipe
is at times inserted in the front of the head to serve as an overflow.
The late pipes were circular and the heads very often followed this
form.
The material has an appropriateness for this purpose that cast iron
cannot pretend to; a simple square box of lead and round pipe is much to
be preferred to fussy things in cast iron, they will not require
painting, nor do they fill the drains with rust; and although it has
been necessary to draw the elaborate and eccentric forms, the simpler
ones form better models for our purpose.
[Illustration: FIG. 76.--Haddon.]
The earlier pipes were almost always a flat square, sometimes ornamented
up its whole length, but usually only at the collars, where the bands of
lead for attachment to the wall were placed, here and on the flaps of
the collars are often crests, flowers, or letters. The lead band was cut
long enough, so that after the nails had been driven through it into the
wall the ends were folded back over their heads. Those at Canons Ashby,
Northants, have the ends curled and cut like the scroll of a mediæval
text.
Public-domain text, read in full here on John Shaqi.
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