It is the man that makes this unity--this stained-glass window through
which truth shines. The artists have had a monopoly of logic, and are
the only people who get the credit of being expressive. Yet now and
then a philosopher like Kant draws together a lot of old junk, and
thinks over it, and arranges it till it becomes--to anyone who can
follow the reasoning--a sort of cathedral of logic. Or again, a man who
is the very antipodes of Kant--a man of action who arranges nothing,
but whose thought and conduct are arranged for him by nature--becomes
so polarized and at one with himself that he sheds a sort of glow about
him; but whether this glow comes out of his words or from his conduct
and words taken together we hardly know. The vehicle is nothing; the
man is all. Such unitary natures are rare enough; and Howe, within his
own limitations, and while standing over his own tripod with his own
peculiar lyre in his hand, is one of them.
The outbreak of the war put an end to all those conditions which had
been turning human nature inside out during the fifties. It was no
longer necessary for idealism to seek its outlet in crime, nor for
half-good men to be turned into devils because they had not in them the
stuff that makes martyrs. When the war came, the average man found the
sacrifice prepared for him in a form which he could understand. He gave
himself freely. He gave all he had. There followed such an outpouring
of virtue and heroism that the crimes of all humanity might seem to
have been wiped out by it; and at the end of the war the United States
resumed her place among modern nations, and took up the conventional
problems of modern life.
During the war Dr. Howe was a member of the Sanitary Commission; and
during the remainder of his life he continued to be the greatest
authority on everything that concerned organized charity, and probably
the most active individual who had ever taken part in such things in
the United States.
Public-domain text, read in full here on John Shaqi.
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