Leaves from a Field Note-BookMorgan, J. H. (John Hartman)
History
Leaves from a Field Note-Book
Morgan, J. H. (John Hartman)
World War, 1914-1918 -- Personal narratives, English
Every one talked in subdued tones--it was only the
wounded who were gay, gay with an amazing insouciance. True, there were
the picture postcards in the shops--I had forgotten them--nothing more
characteristically _macabre_ have I ever seen. One such I bought one
morning--a lively sketch of a German soldier dragging a child's wooden
horse behind him, and saluting his officer with, "Captain, here is the
horse--I have slain the horseman" ("Mon Gabidaine, ch'ai due le
cavalier, foila le cheval"). It was labelled "Un Heros."
It was at this little town, on a memorable afternoon early in the war,
that I was first admitted to the freedom of the soldiers of France. The
ward was flooded with the soft lambent light of September sunshine, and
it sheltered, I should say, some twenty-three men. Four were playing
cards at the bedside of a cheerful youth, who a few weeks earlier had
answered on tripping feet to the cry of "Garcon!" in a big Paris hotel,
and was now a _sous-officier_ in 321st Regiment, recovering from wounds
received in the thick of the fighting round Muelhausen. He was enjoying
his convalescence. For a waiter to find himself waited upon was, he
confided to me as the orderly brought in the soup, a peculiarly
satisfying experience. Charles Lamb would have agreed with him. Has he
not written that the ideal holiday is to watch another man doing your
own job--particularly if he does it badly? The _sous-officier_ nearly
wept with joy when, a moment later, the orderly upset the soup. With
him was a plumber who was dealing the cards in that leisurely manner
which appears to be one of the principal charms of the plumber's
vocation. A paperhanger studied the wall-paper with a professional eye
while he appropriated his cards. An Alsatian completed the party. In a
distant corner a Turco, wearing his red fez upon his head, sat with his
chin on his knees amid an improvised bivouac of bed-clothes and looked
on uncomprehendingly. The rest smoked cigarettes and toyed with the
voluptuous pages of _La Vie Parisienne_.
The _sous-officier_, being an artiste in his way, had been giving me a
histrionic exhibition of shell-fire. With a long intake and a discharge
of the breath he imitated the sibilant flight of the projectiles and
followed it up with a duck of his head over the counterpane. He extended
his arms in a wide sweep to show the crater they make and indicated the
height of the leaping earth.
"_Quinze metres--comme ca, monsieur! Les Allemands? Ah! cochons!_ And
they shoot execrably. We shoot from the shoulder (_sur l'epaule_)--so!
They shoot under the arm (_sous le bras_)--so! And they like to join
hands like children--they are afraid to go alone. They came out of the
wood crouching like dogs--one behind the other. They are a bad
lot--_canaille_. They hide guns in ambulance-waggons and mount them on
church-towers. There was one of our sappers--_diable!_ they tied him to
a telegraph-pole and lit a fire under him."
"But you make them pay for that?"
Public-domain text, read in full here on John Shaqi.
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