Leaves from the Diary of an Impressionist: Early WritingsHearn, Lafcadio
General
Leaves from the Diary of an Impressionist: Early Writings
Hearn, Lafcadio
Literature
But the memory
of the student, culling here and there a blossom of the poetical flora
whose odor is most grateful to his special literary sense, can at
least present the reader with a bouquet of fancies curious enough to
interest if not beautiful enough, perhaps, to charm. If there be any
particular subject the poetical treatment of which is the best evidence
of the æsthetic sense, it is the beauty of woman,--and we confine our
gleanings to this particular domain.
From time immemorial, before the coming of Mahomet, the desert Arabs
were wont not only to honor poets highly, but to hold periodical
assemblies at which poetical contests took place, the contestants
being stimulated by the promise of a prize or the signal honor of
having their compositions hung up in the precincts of the temples as
almost-inspired masterpieces. Six out of the many victors at these
ante-islamic poetical exhibitions obtained such fame that their names
are still familiar to all the desert-tribes, and their poems have been
preserved for us almost unchanged,--marvelous specimens of simple,
beautiful, but savage genius. Naturally the field of the desert-poet
had but little variation; his subjects were few and simple--the fine
qualities of thoroughbred horses or camels, the triumph of battle,
the lament of defeat, the joy of the chase, the beauty of a mistress.
This very limitation of subject, together with the monotonous
sameness of nomad life in all ages and as far as the sands extend, by
increasing the difficulty of the art, renders its charming expression
more wonderful to modern minds. To describe the beauty of woman, the
modern poet can summon to his aid the whole art of civilization, the
varied knowledge of three thousand years, the charm of all things that
charm--jewels, music, flowers, birds, ivories of China and the Indies,
colors of the Pacific, Greek and Etruscan arts, the melody and passion
of a hundred wonderful languages. The Arab, knowing no language but his
own, seeing ever about him the yellow waste, above him the unvarying
blue,--ignorant of all arts save those of war and the chase,--was
able to create masterpieces of language which the most learned men of
our own day cannot speak of without admiration,--poems virile, supple,
ardent as the desert itself and as sun-colored. Translations of these
are now printed in most European languages.
Public-domain text, read in full here on John Shaqi.
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