whose auspices the Christmas card attained the great vogue which shows no signs of abating. XI Collecting—Old watchstands—Samplers—Needlework pictures—Old military prints—French engravings—French furniture—The Hôtel de Ménars—Mr. Alfred Rothschild’s collection—The Tilsit table at Hertford House and its history—A £20,000 commode in danger— Eccentricity of Mr. Hawkins—Old English furniture inadequately represented in National Collections—Chippendale and the austere Sheraton—An apostle of good taste—Lady Hamilton’s cabinet— Furniture supports—Knole and its treasures—Origin of the dumb-bell—A gifted lady. In these days the number of collectors has become enormous. Besides those who collect pictures, old furniture, and china, many people make a special hobby of prints, old glass, old watches, and even old watchstands, not to mention many other trifling relics of the past to which time has imparted some share of interest and value. Some of the old wooden watchstands just mentioned are exceedingly pretty, being formed of cleverly carved wood in most cases covered with a coating of gilt, whilst many specimens would appear to be of French origin, some of the finest recalling the graceful timepieces of the eighteenth century. Watchstands may still occasionally be picked up for a very moderate price, though when of exceptional quality they may cost something between fifteen and twenty pounds. Such watchstands, it must be clearly understood, have nothing in common with the hideous Victorian wire arrangement which the grandfathers of the present generation were wont to place on their dressing-tables or by their bedside. In the old wooden watchstand the dial alone of the watch is shown within a circular space so contrived that the watchstand, as has before been said, presents the appearance of an old clock.