Leaves from the Note-Books of Lady Dorothy NevillNevill, Dorothy, Lady
History
Leaves from the Note-Books of Lady Dorothy Nevill
Nevill, Dorothy, Lady
Great Britain -- Social life and customs -- 19th century; Great Britain -- Social life and customs -- 20th century
Another craze of a somewhat more lasting nature was that for aquariums,
which were greatly patronised when they were first started with the
object, according to the promoters, of providing the public with palaces
where amusement was to be unobtrusively blended with instruction.
The best known and, for a time, the most successful of these was the
Westminster Aquarium, quite recently demolished, the opening of which
created quite a sensation. For a time all London flocked to this resort,
where, in addition to the denizens of the deep, there was generally some
extraordinarily daring acrobatic feat to be seen. The most sensational
of these performers was Zazel, a graceful female acrobat who was fired
out of a cannon and caught a trapeze, if I remember rightly, at the end
of her flight. In reality the mode of propulsion was a strong spring,
though the illusion of a real cannon being fired was produced by the
volumes of smoke which surged from the cannon’s mouth as the performer
flew through the air. Zazel was presented to the public by Mr. Farini,
an unrivalled purveyor of wonders. I was much struck by the grace and
daring which this young lady exhibited, and being acquainted with some
of the directors managed to get a quiet talk with her. I went one
morning, I remember, and she explained to me exactly how the feat was
performed, giving, indeed, a special and private performance of it for
my benefit, in her working dress.
Zazel—a model, I may add, of the domestic virtues—was a singularly
graceful athlete, and, in addition to the sensational cannon act, used
to perform upon a trapeze slung high up near the aquarium roof. Her
grace of movement, indeed, was such that many artistic people were
attracted to the performance; amongst others, I remember, the late Mr.
Watts, whom, on more than one occasion, I met observing this artiste
with the greatest interest and delight. He told me that he had seldom
seen a more perfect example of graceful human motion, and had come there
as much for the purpose of study as for the sake of amusement. When
Zazel’s cannon feat was first performed a considerable outcry was raised
on account of the supposed danger to the human missile, and a high
Government functionary was said to have been about to interfere,
whereupon Mr. Farini (so ran the story) completely set the public mind
at rest by proposing to demonstrate the safety of the performance by
shooting the august official himself out of the cannon, not once only
but as many times as he might like, undertaking that on each occasion he
should be returned to his office perfectly unharmed and intact.
Public-domain text, read in full here on John Shaqi.
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