Leaves from the Note-Books of Lady Dorothy NevillNevill, Dorothy, Lady
History
Leaves from the Note-Books of Lady Dorothy Nevill
Nevill, Dorothy, Lady
Great Britain -- Social life and customs -- 19th century; Great Britain -- Social life and customs -- 20th century
In these days houses change owners very quickly, and people, I think,
rather like the amusement of taking new houses and redecorating them;
but in the past this was not at all the case. There is yet one house in
Charles Street, “No. 41,” which has been in the possession of the same
family for over one hundred and fifty years. Lord Powis’s house in
Berkeley Square is another instance of a long continuity of tenure.
Another old-world square is St. James’s. Passing through it the other
day my thoughts strayed back to the memory of a great lady of old days,
Lady Cowper, who used to live there. She was the mother of the late
earl, and has long been dead. Well do I remember the ballroom, and
especially some magnificent silver chandeliers, which made a great
impression upon my girlish mind.
Lady Cowper was an amusing woman, and used to say shrewd things at
times. She once told me, “To make a ball successful, three men should be
always asked to every lady—one to dance, one to eat, and one to
stare—that makes everything go off well”—and her entertainments
certainly did.
The beautiful drawing-room in this house is, I believe, reproduced at
No. 9 Grosvenor Square, the residence of Lord and Lady Haversham, who
are endowed with a quite unusual share of artistic taste, as is
exemplified in their delightful country residence, Southill Park, in
Berkshire.
There still remain in Charles Street, as well as in Berkeley Square,
several specimens of the old iron extinguishers which were formerly used
by the linkboys in the days when torches served to light people home and
no regular system of street lighting existed. For this reason the
neighbourhood of Mayfair was at one time none too pleasant at night,
abounding, as it did, in riotous characters.
Public-domain text, read in full here on John Shaqi.
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